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Table of Contents
Cover
Half-title page
Series page
Title page
Copyright page
Dedication
Contents
List of Figures
Acknowledgments
Introduction
(Re)Defining Collaboration
Chapter 1 Adam Smith's Liberal Sympathy
"Enter[ing] into" Smithean Sympathy
Tracing Sympathy in the Long Nineteenth Century
Sympathetic Collaboration and Smithean Liberalism
Liberal Impulses of a Sympathetic Poet
Chapter 2 "O You Pretty Pecksie!": The Collaborative Process of Mary Shelley and Percy Bysshe Shelley
Circulating Feeling in Travels and Shared Life-Writing
Reunifying Circles: Free Love and Ideal Sympathetic Communities
Constructing Frankenstein: Animating Sympathetic Narratives
Chapter 3 Written-Visual Aesthetics: The Rossettis and the Pre-Raphaelites
The Golden Age of Illustration: Books as Social Processes
Epistolary Evidence in The Prince's Progress (1866)
Situating Christina Rossetti within the Brotherhood
Concord between Illustration and Verse
Christina's "Inner Consciousness": Sympathy and Social Concern
Coda: Towards a "Totalized Art."
Chapter 4 Typographical Adventures: William Morris, Community, and the Kelmscott Press
The William Morris Paradox
Circles of Sympathy: Smith's Impartial Spectator and Liberal Community
Social Experimentation and Typographical Adventure
"Sympathetic Translation": Concord in the Ideal Book
"Part of a Whole": Morris's Ideals versus Victorian Practice
Morris's "little job": Producing the Kelmscott Chaucer
"Fingers, Eyes, and Sympathy": Robert Catterson-Smith and Edward Burne-Jones
"A Thing Is Either All Right or Wrong."
Morris and Charles Gere's Collaboration for News from Nowhere
Pleasure in the "Lesser Arts"
Chapter 5 Sim and Puss: The Sympathetic Mirroring of Michael Field
Crossing and Interlacing: Writing as Mosaic
A Textured Approach to Life-Writing
Sympathetic Transportation to Edinburgh
Collaborating with the Past in Decadent Drama and Balladry
Metrical Transport and Transgressive Remembrance
Chapter 6 Towards Empathy: Vernon Lee's Psychological Aesthetics
Fluidity of Transition: From Sympathy to Empathy
A Partnership of "Loose End[s]."
Individual or Communal?: Waking from "False Aestheticism"
The Companionate Nature of Belcaro
Isolating Effects of Empathy
Conclusion
Notes
Introduction
1 Adam Smith's Liberal Sympathy
2 "O You Pretty Pecksie!"
3 Written-Visual Aesthetics
4 Typographical Adventures
5 Sim and Puss
6 Towards Empathy
Conclusion
Bibliography
Index
Half-title page
Series page
Title page
Copyright page
Dedication
Contents
List of Figures
Acknowledgments
Introduction
(Re)Defining Collaboration
Chapter 1 Adam Smith's Liberal Sympathy
"Enter[ing] into" Smithean Sympathy
Tracing Sympathy in the Long Nineteenth Century
Sympathetic Collaboration and Smithean Liberalism
Liberal Impulses of a Sympathetic Poet
Chapter 2 "O You Pretty Pecksie!": The Collaborative Process of Mary Shelley and Percy Bysshe Shelley
Circulating Feeling in Travels and Shared Life-Writing
Reunifying Circles: Free Love and Ideal Sympathetic Communities
Constructing Frankenstein: Animating Sympathetic Narratives
Chapter 3 Written-Visual Aesthetics: The Rossettis and the Pre-Raphaelites
The Golden Age of Illustration: Books as Social Processes
Epistolary Evidence in The Prince's Progress (1866)
Situating Christina Rossetti within the Brotherhood
Concord between Illustration and Verse
Christina's "Inner Consciousness": Sympathy and Social Concern
Coda: Towards a "Totalized Art."
Chapter 4 Typographical Adventures: William Morris, Community, and the Kelmscott Press
The William Morris Paradox
Circles of Sympathy: Smith's Impartial Spectator and Liberal Community
Social Experimentation and Typographical Adventure
"Sympathetic Translation": Concord in the Ideal Book
"Part of a Whole": Morris's Ideals versus Victorian Practice
Morris's "little job": Producing the Kelmscott Chaucer
"Fingers, Eyes, and Sympathy": Robert Catterson-Smith and Edward Burne-Jones
"A Thing Is Either All Right or Wrong."
Morris and Charles Gere's Collaboration for News from Nowhere
Pleasure in the "Lesser Arts"
Chapter 5 Sim and Puss: The Sympathetic Mirroring of Michael Field
Crossing and Interlacing: Writing as Mosaic
A Textured Approach to Life-Writing
Sympathetic Transportation to Edinburgh
Collaborating with the Past in Decadent Drama and Balladry
Metrical Transport and Transgressive Remembrance
Chapter 6 Towards Empathy: Vernon Lee's Psychological Aesthetics
Fluidity of Transition: From Sympathy to Empathy
A Partnership of "Loose End[s]."
Individual or Communal?: Waking from "False Aestheticism"
The Companionate Nature of Belcaro
Isolating Effects of Empathy
Conclusion
Notes
Introduction
1 Adam Smith's Liberal Sympathy
2 "O You Pretty Pecksie!"
3 Written-Visual Aesthetics
4 Typographical Adventures
5 Sim and Puss
6 Towards Empathy
Conclusion
Bibliography
Index