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Table of Contents
Introduction: The Poetics of (Mis)Recognition PART I: RACE IN THE MIRROR OF COMMODITY FORM
Chapter 1: 'Piece Logic': Race in the Mirror of Commodity Form
Chapter 2: 'In the Hollow Parts of Anything that Moves': Asiatic Racial Form and the Poetics of Containment
Chapter 3: 'Number, Form, Proportion, Situation': The Measure of Racial Comparison in Myung Mi Kim's Dura PART II: RACE AS SERIALITY
Chapter 4: 'Where From, Where to are Faces of Here': Ed Roberson and the Seriality of Race
Chapter 5: 'An Axiomatic Chorus': Improvising Collectivity in Nathaniel Mackey's From a Broken Bottle Traces of Perfume Still Emanate
Chapter 1: 'Piece Logic': Race in the Mirror of Commodity Form
Chapter 2: 'In the Hollow Parts of Anything that Moves': Asiatic Racial Form and the Poetics of Containment
Chapter 3: 'Number, Form, Proportion, Situation': The Measure of Racial Comparison in Myung Mi Kim's Dura PART II: RACE AS SERIALITY
Chapter 4: 'Where From, Where to are Faces of Here': Ed Roberson and the Seriality of Race
Chapter 5: 'An Axiomatic Chorus': Improvising Collectivity in Nathaniel Mackey's From a Broken Bottle Traces of Perfume Still Emanate