001399162 000__ 02992nam\a22005291i\4500 001399162 001__ 1399162 001399162 003__ NhCcYBP 001399162 005__ 20220615003050.0 001399162 006__ m\\\\\o\\d\\\\\\\\ 001399162 007__ cr\un\nnnunnun 001399162 008__ 220612t20222022ilua\\\\ob\\\\001\0\eng\d 001399162 020__ $$a9780810144866 $$q(electronic book) 001399162 020__ $$a0810144867 $$q(electronic book) 001399162 020__ $$z9780810144859 001399162 020__ $$z0810144859 001399162 020__ $$z9780810144842 001399162 020__ $$z0810144840 001399162 040__ $$aNhCcYBP$$cNhCcYBP 001399162 043__ $$an-us--- 001399162 050_4 $$aPN1590.S6$$bJ33 2022 001399162 08204 $$a791.0973$$223/eng/20220105 001399162 1001_ $$aJackson, Shannon,$$d1967-$$eauthor. 001399162 24510 $$aBack stages :$$bessays across art, performance, and public life /$$cShannon Jackson. 001399162 264_1 $$aEvanston, Illinois :$$bNorthwestern University Press,$$c2022. 001399162 264_4 $$c©2022 001399162 300__ $$a1 online resource (ix, 409 pages) :$$billustrations. 001399162 336__ $$atext$$btxt$$2rdacontent 001399162 337__ $$acomputer$$bc$$2rdamedia 001399162 338__ $$aonline resource$$bcr$$2rdacarrier 001399162 4901_ $$aPerformance works 001399162 504__ $$aIncludes bibliographical references and index. 001399162 5050_ $$aPerformance at Hull-House: Museum, Microfiche, and Historiography -- Performing Show and Tell: On the Disciplinary Problems of Mixed-Media Practice -- Theatricality's Proper Objects: Genealogies of Performance and Gender Theory -- When "Everything Counts": Experimental Performance and Performance Historiography -- Resist Singularity -- Rhetoric in Ruins: Performing Literature and Performance Studies -- Living Takes Many Forms: Creative Time -- Life Politics/Life Aesthetics: Environmental Performance in red, black & GREEN: a blues -- Elmgreen & Dragset's Theatrical Turn -- Performativity and Its Addressee: Walker Art Collection -- Just-in-Time: Performance and the Aesthetics of Precarity -- Seven Ways to Look at Windows: Harrell Fletcher -- Countercarnival in a Performance-Friendly World: En Mas' -- Utopian Operating Systems: Theaster Gates's Way of Working -- Trusting Publics: Paul Ramírez Jonas -- The Way We Perform Now -- Drama and Other Time-Based Arts -- Assemblies: Public Participation, Heteronomous Worlds -- Epilogue: Essential Labor and Proximate Performance. 001399162 506__ $$aAccess limited to authorized users 001399162 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 001399162 588__ $$aDescription based on print version record. 001399162 650_0 $$aPerforming arts$$xSocial aspects$$zUnited States. 001399162 650_0 $$aPerforming arts$$zUnited States. 001399162 650_0 $$aArts and society. 001399162 655_0 $$aElectronic books 001399162 7102_ $$aProQuest (Firm) 001399162 77608 $$iPrint version:$$z9780810144859$$z0810144859$$z9780810144842$$z0810144840$$w(DLC) 2021062396 001399162 830_0 $$aPerformance works. 001399162 852__ $$bebk 001399162 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6976417$$zOnline Access 001399162 909CO $$ooai:library.usi.edu:1399162$$pGLOBAL_SET 001399162 980__ $$aBIB 001399162 980__ $$aEBOOK 001399162 982__ $$aEbook 001399162 983__ $$aOnline