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The slave sublime: a Jamaican case study
A trickster's challenge to rationalism: Andrew Salkey's discourse of the imagination in "A quality of violence"
Language and social death: boundary-crossing and the grammar of violence in NourbeSe Philip's prose and poetry
The changing same for I-an-I in Babylon: Bob Marley's representations of the slave sublime in postcolonial Jamaica
The real (and) ghetto life: excess violence and Manichean delirium in Marlon James's "A brief history of seven killings"
The Ogun archetype in Jamaican dancehall music: harnessing Ogun's combative will to challenge globalization's Dionysiac nature.

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