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001404439 1001_ $$aFolkmann, Mads Nygaard,$$d1972-
001404439 24514 $$aThe aesthetics of imagination in design /$$cMads Nygaard Folkmann.
001404439 260__ $$aCambridge, MA :$$bMIT Press,$$c2013.
001404439 300__ $$a1 online resource.
001404439 336__ $$atext$$btxt$$2rdacontent
001404439 337__ $$acomputer$$bc$$2rdamedia
001404439 338__ $$aonline resource$$bcr$$2rdacarrier
001404439 4901_ $$aDesign thinking, design theory
001404439 506__ $$aAccess limited to authorized users.
001404439 520__ $$aA theoretically informed investigation that relates the philosophies of aesthetics and imagination to understanding design practice.In The Aesthetics of Imagination in Design, Mads Folkmann investigates design in both material and immaterial terms. Design objects, Folkmann argues, will always be dual phenomena--material and immaterial, sensual and conceptual, actual and possible. Drawing on formal theories of aesthetics and the phenomenology of imagination, he seeks to answer fundamental questions about what design is and how it works that are often ignored in academic research.Folkmann considers three conditions in design: the possible, the aesthetic, and the imagination. Imagination is a central formative power behind the creation and the life of design objects; aesthetics describes the sensual, conceptual, and contextual codes through which design objects communicate; the concept of the possible--the enabling of new uses, conceptions, and perceptions--lies behind imagination and aesthetics. The possible, Folkmann argues, is contained as a structure of meaning within the objects of design, which act as part of our interface with the world. Taking a largely phenomenological perspective that reflects both continental and American pragmatist approaches, Folkmann also makes use of discourses that range from practice-focused accounts of design methodology to cultural studies. Throughout, he offers concrete examples to illustrate theoretical points. Folkmann's philosophically informed account shows design--in all its manifestations, from physical products to principles of organization--to be an essential medium for the articulation and transformation of culture.
001404439 650_0 $$aDesign$$xPhilosophy.
001404439 650_0 $$aAesthetics.
001404439 653__ $$aDESIGN/Design Theory
001404439 653__ $$aPHILOSOPHY/Aesthetics
001404439 655_0 $$aElectronic books
001404439 852__ $$bebk$$hProQuest Ebook Central Academic Complete
001404439 85640 $$3ProQuest Ebook Central Academic Complete$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=3339605$$zOnline Access
001404439 909CO $$ooai:library.usi.edu:811143$$pGLOBAL_SET
001404439 980__ $$aBIB
001404439 980__ $$aEBOOK
001404439 982__ $$aEbook
001404439 983__ $$aOnline