001405252 000__ 02925nam\a2200613\i\4500
001405252 001__ 1405252
001405252 003__ DLC
001405252 005__ 20220803003052.0
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001405252 007__ cr\cn\nnnunnun
001405252 008__ 220302s2022\\\\enka\\\\ob\\\\001\0\eng\d
001405252 010__ $$a  2021054231
001405252 020__ $$a9781350224995
001405252 020__ $$a1350224995
001405252 020__ $$a9781350225015
001405252 020__ $$a1350225010
001405252 020__ $$a9781350225008
001405252 020__ $$a1350225002
001405252 020__ $$z9781350224988
001405252 020__ $$z9781350326712
001405252 0247_ $$a10.5040/9781350225015$$2doi
001405252 040__ $$aNhCcYBP$$cNhCcYBP
001405252 042__ $$apcc
001405252 050_4 $$aHQ1190$$b.M3845 2022
001405252 08200 $$a305.4201$$223/eng/20220315
001405252 1001_ $$aMcDermott, Catherine,$$eauthor.
001405252 24510 $$aFeel-bad postfeminism :$$bimpasse, resilience and female subjectivity in popular culture /$$cCatherine McDermott.
001405252 2463_ $$aFeel bad postfeminism
001405252 264_1 $$aLondon ;$$aNew York :$$bBloomsbury Academic,$$c2022.
001405252 300__ $$a1 online resource (xiv, 266 pages) :$$billustrations.
001405252 336__ $$atext$$btxt$$2rdacontent
001405252 337__ $$acomputer$$bc$$2rdamedia
001405252 338__ $$aonline resource$$bcr$$2rdacarrier
001405252 4901_ $$aLibrary of gender and popular culture
001405252 504__ $$aIncludes bibliographical references and index.
001405252 5050_ $$aIntroduction -- Part I: Impasse. 1. Feel-Bad Postfeminism in Gillian Flynn's Gone Girl ; 2. Postfeminist Impasse and Cruel Optimism in Lena Dunham's Girls ; 3. 'Being without a cliché to hold onto can be a lonely experience': Generic Isolation in Appropriate Behaviour -- Part II: Resilience. 4. Suffering, Resilience and Defiance in The Hunger Games ; 5. Relationality and Transformation in Girlhood ; 6. Feel-Bad Femininity in Catch Me Daddy -- Conclusion -- References -- Index.
001405252 506__ $$aAccess limited to authorized users
001405252 5320_ $$aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily.
001405252 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web.
001405252 588__ $$aDescription based on online resource; title from digital title page (viewed on June 15, 2022).
001405252 650_0 $$aFeminist theory.
001405252 650_0 $$aPopular culture.
001405252 650_0 $$aSex role.
001405252 650_0 $$aMass media and women.
001405252 650_0 $$aFeminism.
001405252 655_0 $$aElectronic books
001405252 7102_ $$aProQuest (Firm)
001405252 77608 $$iPrint version:$$aMcDermott, Catherine.$$tFeel-bad postfeminism$$dNew York : Bloomsbury Academic, 2022$$z9781350224988$$w(DLC)  2021054230
001405252 830_0 $$aLibrary of gender and popular culture.
001405252 852__ $$bebk
001405252 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=6934204$$zOnline Access
001405252 909CO $$ooai:library.usi.edu:1405252$$pGLOBAL_SET
001405252 980__ $$aBIB
001405252 980__ $$aEBOOK
001405252 982__ $$aEbook
001405252 983__ $$aOnline