Front Cover
Contents
Illustrations
Introduction
Part I Histories
1: Eighteenth-Century #MeToo: Rape Culture and Victim-Blaming in Heinrich Leopold Wagner's Die Ki
2: #MeToo: Prostitution and the Syntax of Sexuality around 1800
Part II Dialogues across Time
3: "Immaculate" Conception, the "Romance of Rape," and #MeToo: Kleistian Echoes in Kerstin Hensel an
4: Female Sacrifice, Sexual Assault, and Dehumanization: Bourgeois Tragedy, Horror, and the Making o
5: "Na, wenn du mich erst fragst?": Reconsidering Affirmative Consent with Schnitzler, Schnitt, Habe

Part III Sexual Violence, Warfare, and Genocide
6: War of the Vulva: The Women of Otto Dix's Lustmord Series
7: Death to the Patriarchal Theater! Charlotte Salomon's Graphic Testimony
8: #MeToo and Wartime Rape: Looking Back and Moving Forward
Part IV The Institutions of #MeToo
9: Boarding-School Novels around 1900: The Relation of Male Fear of Women to Male-Male Seduction an
10: Breaking the Silence about Sexualized Violence in Lilly Axtser's and Beate Teresa Hanika's Young
11: "Eine gigantische Vergewaltigung": Rape as Subject in Roger Fritz's Mädchen mit Gewalt (1970)

12: Elfriede Jelinek and Ingeborg Bachmann: Transformations of the Capitalist Patriarchy and Narrat
13: Staging Consent and Threatened Masculinity: The Debate on #MeToo in Contemporary German Theater
Part V. #MeToo across Cultural and National Borders
14: Patriarchy, Male Violence, and Disadvantaged Women: Representations of Muslims in the Crime Tele
15: Fatih Akin's Head On: Challenging Mythologies of German Social Work
16: Is a Prostitute Rapeable? Teresa Ruiz Rosas's Novel Nada que declarar in Dialogue with #MeToo
Contributors
Index