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Table of Contents
Introduction
The whimsical authenticity of Smallfilms: Ivor the engine (1959-1964; 1975-1977)
Building worlds
the Sagas of Noggin the Nog (1959-1965; 1982)
Aesthetic transition and the persistence of the hand-made in The Seal of Neptune (1960), The mermaid's pearls (1962) and Pigwings (1961-65)
Low-angle persons
The Pogles (1965) and Pogles Wood (1966-1968)
Technology and inventiveness within Smallfilms animation: Clangers (1969-1974)
The forgotten history of Smallfilms: Sam on Boffs' Island (1972-1973)
Creative collaboration and the Bricolage of Bagpuss (1974) Smallfilms at the the end of the road? Tottie (1984/1986), Life on earth perhaps (1985), and Pinny's house (1986)
The afterlife of 'Smallfilms': adaptation and renewal
Appendix A: Smallfilms-statistical perspectives
Appendix B: Examples of Oliver Postgate's screenwriting style.
The whimsical authenticity of Smallfilms: Ivor the engine (1959-1964; 1975-1977)
Building worlds
the Sagas of Noggin the Nog (1959-1965; 1982)
Aesthetic transition and the persistence of the hand-made in The Seal of Neptune (1960), The mermaid's pearls (1962) and Pigwings (1961-65)
Low-angle persons
The Pogles (1965) and Pogles Wood (1966-1968)
Technology and inventiveness within Smallfilms animation: Clangers (1969-1974)
The forgotten history of Smallfilms: Sam on Boffs' Island (1972-1973)
Creative collaboration and the Bricolage of Bagpuss (1974) Smallfilms at the the end of the road? Tottie (1984/1986), Life on earth perhaps (1985), and Pinny's house (1986)
The afterlife of 'Smallfilms': adaptation and renewal
Appendix A: Smallfilms-statistical perspectives
Appendix B: Examples of Oliver Postgate's screenwriting style.