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001412170 050_4 $$aTK5105.8867
001412170 08204 $$a006.7$$223
001412170 1001_ $$aLi, Luzhou,$$eauthor.
001412170 24510 $$aZoning China :$$bonline video, popular culture, and the state /$$cby Luzhou Li.
001412170 264_1 $$aCambridge :$$bThe MIT Press,$$c2019
001412170 300__ $$a1 online resource (264 pages).
001412170 336__ $$atext$$btxt$$2rdacontent
001412170 337__ $$acomputer$$bc$$2rdamedia
001412170 338__ $$aonline resource$$bcr$$2rdacarrier
001412170 4901_ $$aInformation policy series
001412170 506__ $$aAccess limited to authorized users.
001412170 520__ $$aAn examination of cultural zoning in China considers why government regulation of online video is so much more lenient than regulation of broadcast television.In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the second channel that opened up in the early days of economic reform--piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities.Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain.
001412170 588__ $$aOCLC-licensed vendor bibliographic record.
001412170 650_0 $$aInternet videos$$xLaw and legislation$$zChina.
001412170 653__ $$aSOCIAL SCIENCE / Media Studies
001412170 653__ $$aPOLITICAL SCIENCE / Public Policy / Communication Policy
001412170 655_0 $$aElectronic books
001412170 852__ $$bebk
001412170 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/11675.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct
001412170 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
001412170 909CO $$ooai:library.usi.edu:1412170$$pGLOBAL_SET
001412170 980__ $$aBIB
001412170 980__ $$aEBOOK
001412170 982__ $$aEbook
001412170 983__ $$aOnline