001412180 000__ 01471nam\a2200409Ki\4500 001412180 001__ 1412180 001412180 003__ MaCbMITP 001412180 005__ 20240325105209.0 001412180 006__ m\\\\\o\\d\\\\\\\\ 001412180 007__ cr\cn\nnnunnun 001412180 008__ 190502s2019\\\\mau\\\\\o\\\\\000\0\eng\d 001412180 020__ $$a9780262354950$$q(electronic bk.) 001412180 020__ $$a0262354950$$q(electronic bk.) 001412180 020__ $$z9780262042925 001412180 035__ $$a(OCoLC)1099680199 001412180 035__ $$a(OCoLC-P)1099680199 001412180 040__ $$aOCoLC-P$$beng$$erda$$epn$$cOCoLC-P 001412180 050_4 $$aN7433.3$$b.R69 2019eb 001412180 08204 $$a709.04/082$$223 001412180 1001_ $$aRoyston, Anne M.,$$eauthor. 001412180 24510 $$aMaterial noise :$$breading theory as artist's book /$$cAnne M. Royston. 001412180 264_1 $$aCambridge :$$bMIT Press,$$c2019. 001412180 300__ $$a1 online resource (224 pages). 001412180 336__ $$atext$$btxt$$2rdacontent 001412180 337__ $$acomputer$$bc$$2rdamedia 001412180 338__ $$aonline resource$$bcr$$2rdacarrier 001412180 506__ $$aAccess limited to authorized users. 001412180 588__ $$aOCLC-licensed vendor bibliographic record. 001412180 650_0 $$aArtists' books. 001412180 650_0 $$aArt and philosophy. 001412180 655_0 $$aElectronic books 001412180 852__ $$bebk 001412180 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/12079.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001412180 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001412180 909CO $$ooai:library.usi.edu:1412180$$pGLOBAL_SET 001412180 980__ $$aBIB 001412180 980__ $$aEBOOK 001412180 982__ $$aEbook 001412180 983__ $$aOnline