001412188 000__ 02758cam\a2200529Ma\4500 001412188 001__ 1412188 001412188 003__ MaCbMITP 001412188 005__ 20240325105209.0 001412188 006__ m\\\\\o\\d\\\\\\\\ 001412188 007__ cr\cn\nnnunnun 001412188 008__ 010723s19961983maua\\\\ob\\\\001\0\eng\d 001412188 020__ $$a9780262278164$$q(electronic bk.) 001412188 020__ $$a0262278162$$q(electronic bk.) 001412188 020__ $$a0585375887$$q(electronic bk.) 001412188 020__ $$a9780585375885$$q(electronic bk.) 001412188 020__ $$a026262107X 001412188 020__ $$a9780262621076 001412188 035__ $$a(OCoLC)48139866$$z(OCoLC)70655797$$z(OCoLC)71799427$$z(OCoLC)233142963$$z(OCoLC)507155602$$z(OCoLC)858873299$$z(OCoLC)970723365$$z(OCoLC)984666498$$z(OCoLC)990660803$$z(OCoLC)1077831654 001412188 035__ $$a(OCoLC-P)48139866 001412188 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 001412188 050_4 $$aMT6.L36$$bG4 1996eb 001412188 072_7 $$aMUS$$x041000$$2bisacsh 001412188 08204 $$a781$$219 001412188 1001_ $$aLerdahl, Fred,$$d1943- 001412188 24512 $$aA generative theory of tonal music /$$cFred Lerdahl, Ray Jackendoff. 001412188 260__ $$aCambridge, Mass. :$$bMIT Press,$$c1996, ©1983. 001412188 300__ $$a1 online resource (xvi, 368 pages) :$$billustrations. 001412188 336__ $$atext$$btxt$$2rdacontent 001412188 337__ $$acomputer$$bc$$2rdamedia 001412188 338__ $$aonline resource$$bcr$$2rdacarrier 001412188 4901_ $$aThe MIT Press series on cognitive theory and mental representation 001412188 506__ $$aAccess limited to authorized users. 001412188 520__ $$aA search for a grammar of music with the aid of generative linguistics.This work, which has become a classic in music theory since its original publication in 1983, models music understanding from the perspective of cognitive science.The point of departure is a search for the grammar of music with the aid of generative linguistics.The theory, which is illustrated with numerous examples from Western classical music, relates the aural surface of a piece to the musical structure unconsciously inferred by the experienced listener. From the viewpoint of traditional music theory, it offers many innovations in notation as well as in the substance of rhythmic and reductional theory. 001412188 588__ $$aOCLC-licensed vendor bibliographic record. 001412188 650_0 $$aMusic theory. 001412188 650_0 $$aMusic$$xPsychological aspects. 001412188 650_0 $$aMusic and language. 001412188 653__ $$aLINGUISTICS & LANGUAGE/General 001412188 653__ $$aARTS/Music & Sound Studies 001412188 655_0 $$aElectronic books 001412188 7001_ $$aJackendoff, Ray,$$d1945- 001412188 852__ $$bebk 001412188 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/12513.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001412188 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001412188 909CO $$ooai:library.usi.edu:1412188$$pGLOBAL_SET 001412188 980__ $$aBIB 001412188 980__ $$aEBOOK 001412188 982__ $$aEbook 001412188 983__ $$aOnline