001412203 000__ 03614cam\a2200493Ma\4500 001412203 001__ 1412203 001412203 003__ MaCbMITP 001412203 005__ 20240325105210.0 001412203 006__ m\\\\\o\\d\\\\\\\\ 001412203 007__ cr\cn\nnnunnun 001412203 008__ 000807s1999\\\\maua\\\\ob\\\\001\0\eng\d 001412203 020__ $$a9780262284196$$q(electronic) 001412203 020__ $$a0262284197$$q(electronic) 001412203 020__ $$a0585124000$$q(electronic bk.) 001412203 020__ $$a9780585124001$$q(electronic bk.) 001412203 020__ $$a9780262194211 001412203 020__ $$a026219421X 001412203 035__ $$a(OCoLC)44963830$$z(OCoLC)58047813$$z(OCoLC)508308094$$z(OCoLC)532653007$$z(OCoLC)961614772$$z(OCoLC)962726387$$z(OCoLC)970725800$$z(OCoLC)984622669$$z(OCoLC)990592353$$z(OCoLC)1007397462$$z(OCoLC)1038562674$$z(OCoLC)1052951627$$z(OCoLC)1077808146 001412203 035__ $$a(OCoLC-P)44963830 001412203 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 001412203 050_4 $$aBD190$$b.S78 1999eb 001412203 072_7 $$aPHI$$x011000$$2bisacsh 001412203 08204 $$a169$$221 001412203 1001_ $$aStafford, Barbara Maria,$$d1941- 001412203 24510 $$aVisual analogy :$$bconsciousness as the art of connecting /$$cBarbara Maria Stafford. 001412203 260__ $$aCambridge, Mass. :$$bMIT Press,$$c©1999. 001412203 264_4 $$c©1999 001412203 300__ $$a1 online resource (xvii, 219 pages) :$$billustrations 001412203 336__ $$atext$$btxt$$2rdacontent 001412203 337__ $$acomputer$$bc$$2rdamedia 001412203 338__ $$aonline resource$$bcr$$2rdacarrier 001412203 506__ $$aAccess limited to authorized users. 001412203 520__ $$aA groundbreaking book exploring the discovery of sameness in otherness.Recuperating a topic once central to philosophy, theology, rhetoric, and aesthetics, this groundbreaking book explores the discovery of sameness in otherness. Analogy poses an intriguingly ancient and modern conundrum. How, in the face of cultural diversity, can a unique someone or something be perceived as like what it is not? This book is for anyone puzzled by why today, as Barbara Maria Stafford claims, "we possess no language for talking about resemblance, only an exaggerated awareness of difference." Well-designed images, Stafford argues, reveal the mind's intuitive leaps to connect known with unknown experience.The first of four wide-ranging chapters paints a challenging overview of several pressing contemporary issues. Cloning, legal controversies about social inequity, identity politics, electronic copying, and the mimicry of virtual reality expose the need for a nuanced theory of similitude. The second examines the historical tug-of-war between analogy and allegory, or disanalogy. Stafford provocatively suggests that, since the Romantic Era, we have been living in polarizingly allegorical times. The third roots this divisiveness within the momentous shift from a magical universe, modeled on sexual bonds, to an engineered world built of discrete automated units. Finally, recent developments in computational brain research notwithstanding, major phenomenological questions about memory, emotion, intelligence, and awareness beckon. In the fourth chapter, Stafford intervenes in the consciousness debates to propose a humanistic cognitive science with bridging/analogy at its artful core. 001412203 588__ $$aOCLC-licensed vendor bibliographic record. 001412203 650_0 $$aAnalogy. 001412203 650_0 $$aConsciousness. 001412203 653__ $$aARTS/General 001412203 655_0 $$aElectronic books 001412203 852__ $$bebk 001412203 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/7123.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001412203 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001412203 909CO $$ooai:library.usi.edu:1412203$$pGLOBAL_SET 001412203 980__ $$aBIB 001412203 980__ $$aEBOOK 001412203 982__ $$aEbook 001412203 983__ $$aOnline