001412250 000__ 03204cam\a2200553Ma\4500 001412250 001__ 1412250 001412250 003__ MaCbMITP 001412250 005__ 20240325105212.0 001412250 006__ m\\\\\o\\d\\\\\\\\ 001412250 007__ cr\cn\nnnunnun 001412250 008__ 971219s1998\\\\maua\\\\ob\\\\001\0\eng\d 001412250 020__ $$a9780262279246$$q(electronic bk.) 001412250 020__ $$a026227924X$$q(electronic bk.) 001412250 020__ $$a0585003041$$q(electronic bk.) 001412250 020__ $$a9780585003047$$q(electronic bk.) 001412250 020__ $$z9780262133432 001412250 020__ $$z9780262133432$$q(hardcover ;$$qalk. paper) 001412250 020__ $$z0262133431$$q(hardcover ;$$qalk. paper) 001412250 020__ $$z0262133431 001412250 035__ $$a(OCoLC)42328571$$z(OCoLC)60686854$$z(OCoLC)437427043$$z(OCoLC)505141606$$z(OCoLC)508274254$$z(OCoLC)961615227$$z(OCoLC)962707125$$z(OCoLC)990523146$$z(OCoLC)990674398$$z(OCoLC)1038575867$$z(OCoLC)1043496800$$z(OCoLC)1055847765$$z(OCoLC)1077835283$$z(OCoLC)1097256354 001412250 035__ $$a(OCoLC-P)42328571 001412250 040__ $$aOCoLC-P$$beng$$epn$$cOCoLC-P 001412250 050_4 $$aQP493$$b.M68 1998eb 001412250 072_7 $$aMED$$x057000$$2bisacsh 001412250 072_7 $$aPSY$$x020000$$2bisacsh 001412250 08204 $$a612.8/4$$221 001412250 24504 $$aThe motion aftereffect :$$ba modern perspective /$$cedited by George Mather, Frans Verstraten, Stuart Anstis. 001412250 260__ $$aCambridge, Mass :$$bMIT Press,$$c1998. 001412250 300__ $$a1 online resource (xii, 220 pages) :$$billustrations 001412250 336__ $$atext$$btxt$$2rdacontent 001412250 337__ $$acomputer$$bc$$2rdamedia 001412250 338__ $$aonline resource$$bcr$$2rdacarrier 001412250 500__ $$a"A Bradford book." 001412250 506__ $$aAccess limited to authorized users. 001412250 520__ $$aMotion perception lies at the heart of the scientific study of vision. The motion aftereffect (MAE), probably the best-known phenomenon in the study of visual illusions, is the appearance of directional movement of a stationary object or scene after the viewer has been exposed to visual motion in the opposite direction. For example, after one has looked at a waterfall for a period of time, the scene beside the waterfall may appear to move upward when one's gaze is transferred to it. Although the phenomenon seems simple, research has revealed surprising complexities in the underlying mechanisms and offered general lessons about how the brain processes visual information. In the last decade alone, more than 200 papers have been published on MAE, largely inspired by improved techniques for examining brain electrophysiology and by emerging new theories of motion perception. The contributors to this volume are all active researchers who have helped to shape the modern conception of MAE. 001412250 588__ $$aOCLC-licensed vendor bibliographic record. 001412250 650_0 $$aMotion perception (Vision) 001412250 650_0 $$aNeuropsychology. 001412250 650_0 $$aAfter-images. 001412250 655_0 $$aElectronic books 001412250 7001_ $$aMather, George. 001412250 7001_ $$aVerstraten, Frans. 001412250 7001_ $$aAnstis, S. M. 001412250 852__ $$bebk 001412250 85640 $$3MIT Press$$uhttps://univsouthin.idm.oclc.org/login?url=https://doi.org/10.7551/mitpress/4779.001.0001?locatt=mode:legacy$$zOnline Access through The MIT Press Direct 001412250 85642 $$3OCLC metadata license agreement$$uhttp://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf 001412250 909CO $$ooai:library.usi.edu:1412250$$pGLOBAL_SET 001412250 980__ $$aBIB 001412250 980__ $$aEBOOK 001412250 982__ $$aEbook 001412250 983__ $$aOnline