001413423 000__ 06602cam\\2201177\i\4500 001413423 001__ 1413423 001413423 003__ OCoLC 001413423 005__ 20221021003202.0 001413423 008__ 050211t20052005nyu\\\\\\b\\\\001\0\eng\\ 001413423 010__ $$a2005043160 001413423 015__ $$aGBA534430$$2bnb 001413423 0167_ $$a013181042$$2Uk 001413423 019__ $$a1022648954$$a1200997096$$a1201618224 001413423 020__ $$a1586483161$$q(hardcover) 001413423 020__ $$a9781586483166$$q(hardcover) 001413423 020__ $$a1586483870$$q(paperback) 001413423 020__ $$a9781586483876$$q(paperback) 001413423 020__ $$a9781541774292$$q(paperback) 001413423 020__ $$a1541774299$$q(paperback) 001413423 0291_ $$aDEBBG$$bBV019845749 001413423 0291_ $$aHEBIS$$b128924349 001413423 0291_ $$aNOK$$b1586483161 001413423 0291_ $$aNZ1$$b9179406 001413423 0291_ $$aUKBCI$$b043362915 001413423 0291_ $$aUKBNS$$b043362915 001413423 0291_ $$aUKDEL$$b043362915 001413423 0291_ $$aUKDOR$$b043362915 001413423 0291_ $$aUKMDD$$b1586483161 001413423 0291_ $$aUKSCO$$b043362915 001413423 0291_ $$aUKSGC$$b043362915 001413423 0291_ $$aUKSOM$$b043362915 001413423 0291_ $$aUNITY$$b043362915 001413423 0291_ $$aYDXCP$$b2186811 001413423 0291_ $$aUKMGB$$b013181042 001413423 035__ $$a(OCoLC)57730798$$z(OCoLC)1022648954$$z(OCoLC)1200997096$$z(OCoLC)1201618224 001413423 040__ $$aDLC$$beng$$erda$$cDLC$$dYDX$$dOCL$$dIXA$$dBAKER$$dBTCTA$$dYDXCP$$dMUQ$$dCQU$$dBTN$$dHEBIS$$dDEBBG$$dILU$$dBDX$$dUPZ$$dOCLCF$$dOCLCO$$dOCLCQ$$dOCL$$dQQ3$$dOCLCO$$dBRL$$dSPP$$dUKMGB$$dUAP$$dTYC$$dOCLCA$$dOCL$$dOCLCA$$dVSI$$dVMY$$dUKEHC$$dOCLCO 001413423 043__ $$ae-uk---$$ae-uk-en 001413423 049__ $$aISEA 001413423 05000 $$aPR3017$$b.A75 2005 001413423 08200 $$a822.3/3$$222 001413423 084__ $$aHI 3320$$2rvk 001413423 0860_ $$aLIT3032 001413423 096__ $$a822.33 A843h 001413423 1001_ $$aAsquith, Clare. 001413423 24510 $$aShadowplay :$$bthe hidden beliefs and coded politics of William Shakespeare /$$cClare Asquith. 001413423 264_1 $$aNew York :$$bPublicAffairs,$$c[2005] 001413423 264_4 $$c©2005 001413423 300__ $$axvii, 348 pages ;$$c25 cm 001413423 336__ $$atext$$btxt$$2rdacontent 001413423 337__ $$aunmediated$$bn$$2rdamedia 001413423 338__ $$avolume$$bnc$$2rdacarrier 001413423 504__ $$aIncludes bibliographical references (pages 301-331) and index. 001413423 50500 $$g1.$$tThe silence of John Nobody --$$g2.$$tSecret voices --$$g3.$$tThe protectors --$$g4.$$tReconciliation, 1588-1592 --$$g5.$$tPersecution, 1592-1594 --$$g6.$$tRage, 1594 --$$g7.$$tAddressing the queen, 1595-1599 --$$g8.$$tThe Catholic resistance, 1599-1600 --$$g9.$$tAppeal to the undecided, 1600 --$$g10.$$tFailure, 1601-1602 --$$g11.$$tThe king's man, 1603-1604 --$$g12.$$tThe powder keg, 1605-1606 --$$g13.$$tThe post-mortem, 1606-1608 --$$g14.$$tThe second hope, 1608-1616 --$$g15.$$tSilenced, 1610-1611 --$$g16.$$t'The lost man', 1611 and after --$$gApp.$$tSonnet 152. 001413423 520__ $$aExamines possible hidden code terms and double meanings in Shakespeare's plays, which the author maintains was the playwright's way of registering his dissent to the political situation in Elizabethan England. 001413423 5201_ $$a"In sixteenth-century England many loyal subjects to the crown were asked to make a terrible choice: serve their monarch or their God. The schism between the Crown and the Catholic Church had widened from a theological dispute in the reign of Henry VIII to bitter political conflict under Elizabeth I. It was also the era of the greatest creative genius the world has ever known: William Shakespeare. How, then, was it possible that such a remarkable man born into such violently volatile times should apparently make no comment about the state of England in his work? He did. But it was hidden." "Clare Asquith traces the common code used covertly by dissident writers in the sixteenth century to discuss the tribulations of their time, and reveals that the acknowledged master of this forgotten art form was William Shakespeare. Constantly attacking and exposing a regime that he believed had seized illegal control of the country he loved, Shakespeare's work, seen from this new perspective, offers a revelatory insight into the politics and personalities of his era."--Jacket. 001413423 60010 $$aShakespeare, William,$$d1564-1616$$xPolitical and social views. 001413423 60010 $$aShakespeare, William,$$d1564-1616$$xKnowledge$$xHistory. 001413423 60010 $$aShakespeare, William,$$d1564-1616$$xReligion. 001413423 60016 $$aShakespeare, William,$$d1564-1616$$xPensée politique et sociale. 001413423 60016 $$aShakespeare, William,$$d1564-1616$$xEt l'histoire. 001413423 60016 $$aShakespeare, William,$$d1564-1616$$xReligion. 001413423 60017 $$aShakespeare, William,$$d1564-1616$$2fast$$0(OCoLC)fst00029048 001413423 60017 $$aShakespeare, William.$$2swd 001413423 648_7 $$a1500-1599$$2fast 001413423 650_0 $$aPolitics and literature$$zGreat Britain$$xHistory$$y16th century. 001413423 650_0 $$aLiterature and history$$zGreat Britain$$xHistory$$y16th century. 001413423 650_0 $$aChristianity and literature$$zEngland$$xHistory$$y16th century. 001413423 650_0 $$aHistorical drama, English$$xHistory and criticism. 001413423 650_0 $$aPolitical plays, English$$xHistory and criticism. 001413423 650_0 $$aCatholics$$zEngland$$xHistory$$y16th century. 001413423 650_0 $$aCatholics$$zEngland$$xIntellectual life. 001413423 650_6 $$aPolitique et littérature$$0(CaQQLa)201-0029043$$zGrande-Bretagne$$0(CaQQLa)201-0441031$$xHistoire$$0(CaQQLa)201-0378904$$y16e siècle.$$0(CaQQLa)201-0378904 001413423 650_6 $$aLittérature et histoire$$0(CaQQLa)201-0050401$$zGrande-Bretagne$$0(CaQQLa)201-0441031$$xHistoire$$0(CaQQLa)201-0378904$$y16e siècle.$$0(CaQQLa)201-0378904 001413423 650_6 $$aChristianisme et littérature$$0(CaQQLa)201-0035008$$zAngleterre$$0(CaQQLa)201-0476579$$xHistoire$$0(CaQQLa)201-0378904$$y16e siècle.$$0(CaQQLa)201-0378904 001413423 650_6 $$aThéâtre historique anglais$$0(CaQQLa)201-0035648$$xHistoire et critique.$$0(CaQQLa)201-0377571 001413423 650_6 $$aThéâtre politique anglais$$0(CaQQLa)000264900$$xHistoire et critique.$$0(CaQQLa)201-0377571 001413423 650_6 $$aCatholiques$$0(CaQQLa)201-0039405$$zAngleterre$$0(CaQQLa)201-0476579$$xHistoire$$0(CaQQLa)201-0378904$$y16e siècle.$$0(CaQQLa)201-0378904 001413423 650_6 $$aCatholiques$$0(CaQQLa)201-0276236$$zAngleterre$$0(CaQQLa)201-0476579$$xVie intellectuelle.$$0(CaQQLa)201-0276236 001413423 650_7 $$aCatholics.$$2fast$$0(OCoLC)fst00849297 001413423 650_7 $$aCatholics$$xIntellectual life.$$2fast$$0(OCoLC)fst00849314 001413423 650_7 $$aChristianity and literature.$$2fast$$0(OCoLC)fst00859681 001413423 650_7 $$aHistorical drama, English.$$2fast$$0(OCoLC)fst00957929 001413423 650_7 $$aLiterature and history.$$2fast$$0(OCoLC)fst01000077 001413423 650_7 $$aPolitical and social views.$$2fast$$0(OCoLC)fst01353986 001413423 650_7 $$aPolitical plays, English.$$2fast$$0(OCoLC)fst01069494 001413423 650_7 $$aPolitics and literature.$$2fast$$0(OCoLC)fst01069960 001413423 650_7 $$aReligion.$$2fast$$0(OCoLC)fst01093763 001413423 650_7 $$aDissenters$$2gnd$$0(DE-588)4150217-6 001413423 650_7 $$aReligion$$gMotiv$$2gnd$$0(DE-588)4207560-9 001413423 650_7 $$aPolitik$$gMotiv$$2gnd$$0(DE-588)4202544-8 001413423 650_7 $$aDissident$$2gnd$$0(DE-588)4150218-8 001413423 651_7 $$aEngland.$$2fast$$0(OCoLC)fst01219920 001413423 651_7 $$aGreat Britain.$$2fast$$0(OCoLC)fst01204623 001413423 655_4 $$aNonfiction. 001413423 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001413423 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001413423 852__ $$bgen 001413423 909CO $$ooai:library.usi.edu:1413423$$pGLOBAL_SET 001413423 980__ $$aBIB 001413423 980__ $$aBOOK 001413423 994__ $$aC0$$bISE