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Preamble: 1815 and beyond
In the silence of the poem. Hölty's Nightingales, and Schubert's ; Herder's Hexameters, and Beethoven's ; Whose Meeres Stille?
Toward a poetics of fugue. Gradus ad Parnassum: Beethoven, Schubert, and the romance of counterpoint ; Con alcune licenze: On the Largo before the Fugue in Op. 106 ; Sonata and the claims of narrative Beethoven ; On a challenging moment in the Sonata for Pianoforte and Violoncello, Op. 102, No. 2 Schubert ; Against the grain: the Sonata in G (D 894) and a hermeneutics of late style
Last things, new horizons. Final Beethoven ; Posthumous Schubert
Postscript: ... and beyond.
In the silence of the poem. Hölty's Nightingales, and Schubert's ; Herder's Hexameters, and Beethoven's ; Whose Meeres Stille?
Toward a poetics of fugue. Gradus ad Parnassum: Beethoven, Schubert, and the romance of counterpoint ; Con alcune licenze: On the Largo before the Fugue in Op. 106 ; Sonata and the claims of narrative Beethoven ; On a challenging moment in the Sonata for Pianoforte and Violoncello, Op. 102, No. 2 Schubert ; Against the grain: the Sonata in G (D 894) and a hermeneutics of late style
Last things, new horizons. Final Beethoven ; Posthumous Schubert
Postscript: ... and beyond.