001415725 000__ 04424cam\\2200781\i\4500 001415725 001__ 1415725 001415725 003__ OCoLC 001415725 005__ 20221117003207.0 001415725 008__ 010731r20012000nyu\\\\\\\\\\\000\0\eng\\ 001415725 010__ $$a2001049374$$z00708611 001415725 019__ $$a422938433$$a426218817$$a779902398$$a798605482$$a1029563923$$a1043457227$$a1052475889$$a1057008773$$a1057562383 001415725 020__ $$a0684859076$$q(paperback) 001415725 020__ $$a9780684859071$$q(paperback) 001415725 020__ $$a0684859068 001415725 020__ $$a9780684859064 001415725 035__ $$a(OCoLC)47746309 001415725 040__ $$aDLC$$beng$$erda$$cDLC$$dXY4$$dBAKER$$dBTCTA$$dYDXCP$$dNLGGC$$dUQ1$$dFPB$$dBDX$$dOCLCQ$$dTULIB$$dOCLCF$$dOCLCO$$dGTA$$dOCLCQ$$dOCLCO$$dOCLCQ$$dOCLCA$$dVXI$$dOCLCQ$$dTCH$$dMNU$$dIL4J6$$dMEAUC$$dOCLCO$$dISE 001415725 042__ $$apcc 001415725 049__ $$aISEA 001415725 05010 $$aPN83$$b.B57 2001 001415725 08200 $$a801/.9$$221 001415725 1001_ $$aBloom, Harold,$$eauthor. 001415725 24510 $$aHow to read and why /$$cHarold Bloom. 001415725 250__ $$aFirst Touchstone Edition. 001415725 264_1 $$aNew York ;$$aLondon ;$$aToronto ;$$aSydney ;$$aSingapore :$$bPublished by Simon & Schuster,$$c2001. 001415725 264_4 $$c©2000. 001415725 300__ $$a283 pages ;$$c22 cm 001415725 336__ $$atext$$btxt$$2rdacontent 001415725 337__ $$aunmediated$$bn$$2rdamedia 001415725 338__ $$avolume$$bnc$$2rdacarrier 001415725 500__ $$a"A Touchstone Book" 001415725 5050_ $$aShort stories (Ivan Turgenev ; Anton Chekhov ; Guy de Maupassant ; Ernest Hemingway ; Flannery O'Connor ; Vladimir Nabokov ; Jorge Luis Borges ; Tommaso Landolfi ; Italo Calvino) -- Poems (A.E. Housman ; William Blake ; Walter Savage Landor ; Alfred Lord Tennyson ; Robert Browning ; Walt Whitman ; Emily Dickinson ; Emily Bronte ; William Shakespeare ; John Milton ;William Wordsworth ; Samuel Taylor Coleridge ; Percy Bysshe Shelley ; John Keats) -- Novels, Part I (Miguel de Cervantes ; Stendhal ; Jane Austen ; Charles Dickens ; Fyodor Dostoevsky ; Henry James ; Marcel Proust ; Thomas Mann) -- Plays (William Shakespeare ; Henrik Ibsen ; Oscar Wilde) -- Novels, Part II (Herman Melville ; William Faulkner ; Nathanael West ; Thomas Pynchon ; Cormac McCarthy ; Ralph Ellison ; Toni Morrison). 001415725 520__ $$a"Information is endlessly available to us; where shall wisdom be found?" is the crucial question with which renowned literary critic Harold Bloom commences this impassioned book on the pleasures and benefits of reading well. For more than forty years, Bloom has transformed college students into lifelong readers with his unrivaled love for literature. Now, at a time when faster and easier electronic media threaten to eclipse the practice of reading, Bloom draws on his experience as critic, teacher, and prolific reader to plumb the great books for their sustaining wisdom. Shedding all polemic, Bloom addresses the solitary reader, who, he urges, should read for the purest of all reasons: to discover and augment the self. Always dazzling in his ability to draw connections between texts across continents and centuries, Bloom instructs readers in how to immerse themselves in the different literary forms. Probing discussions of the works of beloved writers such as William Shakespeare, Ernest Hemingway, Jane Austen, Walt Whitman, Emily Dickinson, Charles Dickens, and William Faulkner highlight the varied challenges and delights found in short stories, poems, novels, and plays. Bloom not only provides illuminating guidance on how to read a text but also illustrates what such reading can bring--aesthetic pleasure, increased individuality and self-knowledge, and the lifetime companionship of the most engaging and complex literary characters. Bloom's engaging prose and brilliant insights will send you hurrying back to old favorites and entice you to discover new ones. His ultimate faith in the restorative power of literature resonates on every page of this infinitely rewarding and important book. 001415725 650_0 $$aReading. 001415725 650_0 $$aLiterature$$xAppreciation. 001415725 650_0 $$aLiterature$$xStudy and teaching. 001415725 650_0 $$aLiterature, Modern$$xHistory and criticism. 001415725 650_2 $$aReading$$0(DNLM)D011932 001415725 650_6 $$aLecture.$$0(CaQQLa)201-0025131 001415725 650_7 $$aLITERARY CRITICISM / Reference.$$2bisacsh 001415725 650_7 $$aLITERARY CRITICISM / Books & Reading.$$2bisacsh 001415725 650_7 $$aLiterature$$xAppreciation.$$2fast$$0(OCoLC)fst00999957 001415725 650_7 $$aLiterature, Modern.$$2fast$$0(OCoLC)fst01000172 001415725 650_7 $$aLiterature$$xStudy and teaching.$$2fast$$0(OCoLC)fst01000024 001415725 650_7 $$aReading.$$2fast$$0(OCoLC)fst01090626 001415725 650_7 $$aLiterature$$xAppreciation.$$2nli 001415725 650_7 $$aLiterature$$xStudy and teaching.$$2nli 001415725 650_7 $$aLiterature$$xHistory and criticism.$$2nli 001415725 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001415725 852__ $$bgen$$hPN83$$i.B57 2001 001415725 909CO $$ooai:library.usi.edu:1415725$$pGLOBAL_SET 001415725 980__ $$aBOOK 001415725 980__ $$aBIB