001415803 000__ 04496nam\a2200553\i\4500 001415803 001__ 1415803 001415803 003__ Credo 001415803 005__ 20221118003210.0 001415803 006__ m\\\\\o\\d\\\\\\\\ 001415803 007__ cr\cn\nnnunnun 001415803 008__ 150427r20152012enk\\\\\ob\\\\000\0\eng\d 001415803 020__ $$z9781856697941 001415803 020__ $$z1856697940 001415803 020__ $$a9781785392054$$q(electronic book) 001415803 035__ $$a(CaBNVSL)gtp00562539 001415803 035__ $$a(Credo)lkingitcgd2012 001415803 035__ $$a(OCoLC)908338292 001415803 040__ $$aCaBNVSL$$beng$$erda$$cCaBNVSL$$dCaBNVSL 001415803 050_4 $$aNC998$$b.H4456 2012eb 001415803 08204 $$a741.609$$223 001415803 1001_ $$aHeller, Steven,$$eauthor. 001415803 24510 $$a100 ideas that changed graphic design /$$cSteven Heller and Véronique Vienne. 001415803 2463_ $$aOne hundred ideas that changed graphic design. 001415803 24630 $$aIdeas that changed graphic design. 001415803 24630 $$aGraphic design. 001415803 250__ $$a[Enhanced Credo edition] 001415803 263__ $$a20150506 001415803 264_1 $$aLondon, [England] :$$bLaurence King,$$c2012. 001415803 26431 $$aBoston, Massachusetts :$$bCredo Reference,$$c2015. 001415803 300__ $$a1 online resource (106 entries) 001415803 336__ $$atext$$2rdacontent 001415803 337__ $$aelectronic$$2isbdmedia 001415803 338__ $$aonline resource$$2rdacarrier 001415803 504__ $$aIncludes bibliographical references. 001415803 5050_ $$aIntroduction -- 100 Ideas that changed graphic design: No.1 The book -- No.2 Body type -- No.3 Rub-on designs -- No.4 Rays -- No.5 Pastiche -- No.6 Pointing fingers -- No.7 Vanitas -- No.8 Clenched fists -- No.9 Monumental images -- No.10 Female archetypes -- No 11 Color blocks -- No.12 Ornamentation -- No.13 Decorative logotypes -- No.14 Naive mascots -- No.15 Entrepreneurship -- No.16 Metaphoric lettering -- No.17 Swashes on caps -- No.18 Texts as images -- No.19 Visual puns -- No.20 The square format -- No.21 Primitive figuration -- No.22 Propaganda -- No.23 The object poster -- No.24 Paper cutouts -- No.25 Manifestos -- No.26 Graphic design magazines -- No.27 Botanical geometry -- No.28 Calligrams -- No.29 Loud typography -- No.30 Asymmetric typography -- No.31 Red with black -- No.32 Supergraphics -- No.33 Supreme geometry -- No.34 Funny faces -- No.35 Expression of speed -- No.36 Corporate identity -- No.37 Dust jackets -- No.38 Found typography -- No.39 Ransom notes -- No.40 Design handbooks -- No.41 Avant-garde zines -- No.42 Collages -- No.43 Riddles and rebuses -- No.44 Photomontage -- No.45 Pictograms -- No.46 Floating heads -- No.47 Abstraction -- No.48 Triangulation -- No.49 Extreme close-ups -- No.50 The provocative gesture -- No.51 Motion graphics -- No.52 Night spectaculars -- No.53 Shadow play -- No.54 Good design -- No.55 Forced obsolescence -- No.56 Vibrating color -- No.57 Strips and panels -- No.58 Frame by frame -- No.59 Perfect rectangles -- No.60 Abstract graphs -- No.61 Dynamic diagonals -- No.62 Stencil type -- No.63 Comic lettering -- No.64 Parody -- No.65 Sustainable packaging -- No.66 Public service campaigns -- No.67 Branding campaigns -- No.68 Layering and overprinting -- No.69 Design thinking -- No.70 The grid -- No.71 Brand narratives -- No.72 White space -- No.73 Less is more -- No.74 Monoalphabets -- No.75 Film title sequences -- No.76 Big book look -- No.77 Nostalgia -- No.78 Illegibility -- No.79 Scan lines -- No.80 Teen magazines -- No.81 Culture jamming -- No.82 High contrast -- No.83 Psychedelia -- No.84 Split fountain -- No.85 Underground comics -- No.86 Record album covers -- No.87 Street slogans -- No.88 Sexual taboo busting -- No.89 Self-promotional publishing -- No.90 Tags -- No.91 Universal pricing code -- No.92 Vernacular -- No.93 French theory -- No.94 Do it yourself -- No.95 The fine print -- No.96 Magazine coverlines -- No.97 Guerrilla advertising -- No.98 Pixelation -- No.99 Ambigrams -- No.100 Designers' websites -- Glossary -- Further Reading -- Acknowledgments. 001415803 506__ $$aAccess limited to authorized users. 001415803 588__ $$aDescription based on print version record. 001415803 650_0 $$aGraphic arts$$xTechnological innovations. 001415803 650_0 $$aGraphic arts$$xHistory. 001415803 650_0 $$aDesign$$xThemes, motives. 001415803 655_0 $$aElectronic books 001415803 7001_ $$aVienne, Véronique,$$eauthor. 001415803 7102_ $$aCredo Reference (Firm),$$edistributor. 001415803 77608 $$iPrint version:$$z1856697940$$z9781856697941 001415803 852__ $$bebk 001415803 85640 $$3Credo Reference $$uhttps://univsouthin.idm.oclc.org/login?url=https://search.credoreference.com/content/title/lkingitcgd?institutionId=3155$$zOnline Access 001415803 909CO $$ooai:library.usi.edu:1415803$$pGLOBAL_SET 001415803 980__ $$aBIB 001415803 980__ $$aEBOOK 001415803 982__ $$aEbook 001415803 983__ $$aOnline