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Introduction and analysis of Rimsky-Korsakov's harmonic theory: The background and history of the Practical Manual of Harmony
Editions of the Practical Manual of Harmony
Introduction to the theory
Scales and chords : the first two layers
Modulation and first-degree key relationships
Aspects of modulation between the first-degree keys
Second- and third-degree key relationships
Deceptive progressions and enharmonicism
The modulatory plan
Analysis of Rimsky-Korsakov's harmonic system
Rimsky-Korsakov's harmonic theory and the nineteenth-century German theoretical tradition: Channels of German Influence
Modulation and key relationships in the nineteenth-century German music theory
Analysis of German tonal models
Rimsky-Korsakov's harmonic theory and the nineteenth-century Russia theoretical tradition: Early Theoretical Treatises
Liadov and Rimsky-Korsakov
Tchaikovsky and Rimsky-Korsakov
Balakirev and Rimsky-Korsakov
Conclusions
Appendix 1. Table of editions of Rimsky-Korsakov's Manual of harmony and Practical manual of harmony
Appendix 2. List of translations of Rimsky-Korsakov's Practical manual of harmony
Appendix 3. Table of contents of Tchaikovsky's Guide to the practical study of harmony (1872)
Appendix 4. Table of contents of Rimsky-Korsakov's Manual of harmony (1884-1885) and Practical manual of harmony (1886)
Appendix 5. Balakirev, Sbornik Russkikh narodnykh pesen. Selected songs
Appendix 6. Makar Yekmalian, Patarag (liturgical chants for four-part male choir)
Appendix 7. Early Russian theoretical treatises. Russian translations of foreign treatises.

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