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Introduction: Film and the Gender Lens
Part 1 Feminist Perspectives
1 The Religious Feminism of Rama Burshtein's Romances (Karen E. H. Skinazi)
2 Silence ... No More ...: Palestinian Cinema of Transgression (Lema M. Salem)
3 Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema (Anna Ball)
Part 2 Approaching Masculinities
4 Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman (Kamran Rastegar)
5 "Queer as Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion (Gil Hochberg)
Part 3 Israeli-Palestinian Intersections
6 Our African Palestine: Intersectional Specters in the House of Zion (Greg Burris)
7 Write Down, I Am a Woman (Shai Ginsburg)
8 Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians (Yael Zerubave
Filmography
Contributors
Index
Half Title
Title
Copyright
Contents
Figures
Introduction: Film and the Gender Lens
Part 1 Feminist Perspectives
1 The Religious Feminism of Rama Burshtein's Romances (Karen E. H. Skinazi)
2 Silence ... No More ...: Palestinian Cinema of Transgression (Lema M. Salem)
3 Families on the Edge: Interstitial Relations in Recent Palestinian Women's Cinema (Anna Ball)
Part 2 Approaching Masculinities
4 Disappearances and Remains: Masculinity in the Cinema of Elia Suleiman (Kamran Rastegar)
5 "Queer as Can Be": On Masculinity in Jumana Manna's Blessed, Blessed Oblivion (Gil Hochberg)
Part 3 Israeli-Palestinian Intersections
6 Our African Palestine: Intersectional Specters in the House of Zion (Greg Burris)
7 Write Down, I Am a Woman (Shai Ginsburg)
8 Identity (Ex)Changes, Gender, and Family Ties: Cinematic Representations of Israeli Jews and Palestinians (Yael Zerubave
Filmography
Contributors
Index