001430086 000__ 03471nam\a2200565\i\4500 001430086 001__ 1430086 001430086 003__ DLC 001430086 005__ 20230208003352.0 001430086 006__ m\\\\\o\\d\\\\\\\\ 001430086 007__ cr\cn\nnnunnun 001430086 008__ 220208t20222022nyu\\\\\ob\\\\001\0\eng\d 001430086 010__ $$a 2022004322 001430086 020__ $$a9781501361463 001430086 020__ $$a1501361465 001430086 020__ $$a9781501361487 001430086 020__ $$a1501361481 001430086 020__ $$a9781501361470 001430086 020__ $$a1501361473 001430086 020__ $$z9781501393990 001430086 020__ $$z9781501361494 001430086 0247_ $$a10.5040/9781501361463$$2doi 001430086 040__ $$aNhCcYBP$$cNhCcYBP 001430086 042__ $$apcc 001430086 050_4 $$aP96.C43$$bP57 2022 001430086 08200 $$a809.927$$223/eng/20220210 001430086 1001_ $$aPiper, Melanie,$$eauthor. 001430086 24514 $$aThe biopic and beyond :$$bcelebrities as characters in screen media /$$cMelanie Piper. 001430086 264_1 $$aNew York :$$bBloomsbury Academic,$$c2022. 001430086 264_4 $$c©2022 001430086 300__ $$a1 online resource ( vi, 176 pages) 001430086 336__ $$atext$$btxt$$2rdacontent 001430086 337__ $$acomputer$$bc$$2rdamedia 001430086 338__ $$aonline resource$$bcr$$2rdacarrier 001430086 504__ $$aIncludes bibliographical references and index. 001430086 5050_ $$a1. Introduction: Any Resemblance is Completely Intended -- Defining Docucharacter -- 2. Re-Creating the Public -- Locating a Fiction: Patriots Day -- Repurposing and Re-Presenting the Real: Tonya and O.J. -- Reflexive Reconstruction: The Disaster Artist -- 3. Creating the Private -- Mark Zuckerberg as a Public Source Text -- Motivating Mark: Constructing the Neoclassical Biopic Character in The Social Network -- Public Words, Private Voices -- 4. The Illusion of Access -- Seeing the Unseen -- Stylizing Subjectivity -- Feeling Facts -- 5. Beyond the Biopic: Sketch Comedy -- Saturday Night Live and Celebrity Impersonation -- The Multiple Lives of "Sarah Feylin" -- Re-Creating Events in the Docucharacter Sketch -- Game Change: Palin in Docudrama -- 6. Beyond the Biopic: Celebrities Play Themselves -- Narrative Functions of Celebrity Cameos -- Fictional Self as Authentic Self: Stand Up Comedians in Semi-Autobiographical Fictions -- When Reality Interrupts: Louis C.K. and Louie C.K. -- 7. Beyond the Biopic: Real Person Fan Fiction -- RPF as a Fan Practice -- Preserving Character in Docufantasy -- Writing in the Margins, Re-writing Lives -- 8. Conclusion: Defined by Docucharacter -- Bibliography -- Index 001430086 506__ $$aAccess limited to authorized users 001430086 5320_ $$aCompliant with Level AA of the Web Content Accessibility Guidelines. Content is displayed as HTML full text which can easily be resized or read with assistive technology, with mark-up that allows screen readers and keyboard-only users to navigate easily. 001430086 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 001430086 588__ $$aDescription based on online resource; title from digital title page (viewed on August 25, 2022). 001430086 650_0 $$aCharacters and characteristics in mass media. 001430086 650_0 $$aCelebrities in mass media. 001430086 650_0 $$aBiographical films$$xHistory and criticism. 001430086 655_0 $$aElectronic books 001430086 7102_ $$aProQuest (Firm) 001430086 77608 $$iPrint version:$$aPiper, Melanie.$$tBiopic and beyond$$dNew York : Bloomsbury Academic, 2022$$z9781501361494$$w(DLC) 2022004321 001430086 852__ $$bebk 001430086 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=7020151$$zOnline Access 001430086 909CO $$ooai:library.usi.edu:1430086$$pGLOBAL_SET 001430086 980__ $$aBIB 001430086 980__ $$aEBOOK 001430086 982__ $$aEbook 001430086 983__ $$aOnline