001430666 000__ 02392nam\a2200505\i\4500 001430666 001__ 1430666 001430666 003__ NhCcYBP 001430666 005__ 20230222003209.0 001430666 006__ m\\\\\o\\d\\\\\\\\ 001430666 007__ cr\cn\nnnunnun 001430666 008__ 221212s2023\\\\nyua\\\\ob\\\\001\0\eng\d 001430666 020__ $$a9781501371264 001430666 020__ $$a1501371266 001430666 020__ $$a9781501371271 001430666 020__ $$a1501371274 001430666 020__ $$a9781501371288 001430666 020__ $$a1501371282 001430666 040__ $$aNhCcYBP$$cNhCcYBP 001430666 050_4 $$aML420.B754$$bR44 2023 001430666 08204 $$a782.42166092$$223 001430666 1001_ $$aReed, Katherine M.$$c(Musicologist),$$eauthor. 001430666 24510 $$aDavid Bowie and the moving image :$$ba standing cinema /$$cKatherine Reed. 001430666 264_1 $$aNew York, NY ;$$aLondon :$$bBloomsbury Academic,$$c2023. 001430666 300__ $$a1 online resource (x, 238 pages) :$$billustrations (black and white) 001430666 336__ $$atext$$btxt$$2rdacontent 001430666 337__ $$acomputer$$bc$$2rdamedia 001430666 338__ $$aonline resource$$bcr$$2rdacarrier 001430666 500__ $$aList of Figures1. Introduction: Sons of the Silent AgePart I: Bowie as Auteur2. Semiotics and the Creation of 'David Bowie'3. Cracked Actor: The Music Video and Bowie as Moving Image4. Screen Dreams: Theatrical Staging, Film, and Diamond DogsPart II: Bowie as Sign5. Hollywood Highs: Acting Roles and Bowie's Star Image6. 'Mass Motivation': Advertising, Audience, and the Bowie Star Image7. Who Can I Be Now?: Fannish Creation and Depictions of Bowie on Film8. Conclusion: Living OnBibliographyMedia BibliographyAcknowledgmentsIndex. 001430666 504__ $$aIncludes bibliographical references and index. 001430666 506__ $$aAccess limited to authorized users 001430666 533__ $$aElectronic reproduction.$$bAnn Arbor, MI$$nAvailable via World Wide Web. 001430666 588__ $$aDescription based on online resource; title from digital title page (viewed on February 08, 2023). 001430666 60010 $$aBowie, David$$xCriticism and interpretation. 001430666 650_0 $$aMusicians in motion pictures. 001430666 650_0 $$aRock music$$xHistory and criticism. 001430666 650_0 $$aMotion pictures$$xHistory. 001430666 650_0 $$aMusic videos$$xHistory and criticism. 001430666 655_0 $$aElectronic books 001430666 7102_ $$aProQuest (Firm) 001430666 77608 $$iPrint version:$$z9781501371257 001430666 852__ $$bebk 001430666 85640 $$3GOBI DDA$$uhttps://univsouthin.idm.oclc.org/login?url=https://ebookcentral.proquest.com/lib/usiricelib-ebooks/detail.action?docID=7141137$$zOnline Access 001430666 909CO $$ooai:library.usi.edu:1430666$$pGLOBAL_SET 001430666 980__ $$aBIB 001430666 980__ $$aEBOOK 001430666 982__ $$aEbook 001430666 983__ $$aOnline