001430858 000__ 03407cam\a2200601Ma\4500 001430858 001__ 1430858 001430858 003__ OCoLC 001430858 005__ 20230308003210.0 001430858 006__ m\\\\\o\\d\\\\\\\\ 001430858 007__ cr\nn\nnnunnun 001430858 008__ 200818s2021\\\\gw\\\\\\o\\\\\|||\0\eng\d 001430858 019__ $$a1191081997$$a1192490771$$a1196165453$$a1197555175$$a1198137268$$a1198816883$$a1237459231$$a1240510898$$a1240524787 001430858 020__ $$a9783030547950$$qelectronic book 001430858 020__ $$a3030547957$$qelectronic book 001430858 020__ $$z3030547949 001430858 020__ $$z9783030547943 001430858 020__ $$a9783030547967$$q(print) 001430858 020__ $$a3030547965 001430858 0247_ $$a10.1007/978-3-030-54 001430858 0247_ $$a10.1007/978-3-030-54795-0$$2doi 001430858 035__ $$aSP(OCoLC)1195712248 001430858 040__ $$aFIE$$beng$$cFIE$$dLQU$$dOCLCO$$dUKMGB$$dYDX$$dGW5XE$$dOCLCF$$dYDXIT$$dSFB$$dVT2$$dOCLCQ$$dOCLCO$$dOCLCQ$$dYWS 001430858 049__ $$aISEA 001430858 050_4 $$aN70$$b.B46 2021 001430858 08214 $$a146.4$$223 001430858 1001_ $$aBenovsky, Jiri. 001430858 24514 $$aThe Limits of Art :$$bOn Borderline Cases of Artworks and their Aesthetic Properties /$$cby Jiri Benovsky. 001430858 250__ $$a1st ed. 2021. 001430858 264_1 $$aCham :$$bSpringer International Publishing :$$bImprint: Springer,$$c2021. 001430858 300__ $$a1 online resource. 001430858 336__ $$atext$$btxt$$2rdacontent 001430858 337__ $$acomputer$$bc$$2rdamedia 001430858 338__ $$aonline resource$$bcr$$2rdacarrier 001430858 347__ $$atext file$$bPDF$$2rda 001430858 4901_ $$aOpen Access e-Books. 001430858 4901_ $$aSpringerBriefs in Philosophy,$$x2211-4548 001430858 504__ $$aIncludes bibliographical references. 001430858 5050_ $$aIntroduction: Different types of limits -- Extending the limits I: Non-visual and non-auditory artworks -- Extending the limits II: Intellectual artworks -- Limits and their vagueness: The case of paintings and photographs. 001430858 5060_ $$aOpen access.$$5GW5XE 001430858 520__ $$aThis open access book is about exploring interesting borderline cases of art. It discusses the cases of gustatory and olfactory artworks (focusing on food), proprioceptive artworks (dance, martial arts, and rock climbing qua proprioceptive experiences), intellectual artworks (philosophical and scientific theories), as well as the vague limits between painting and photography. The book focuses on the author's research about what counts as art and what does not, as well as on the nature of these limits. Overall, the author defends a very inclusive view, 'extending' the limits of art, and he argues for its virtues. Some of the limits discussed concern our senses (our different perceptual modalities), some concern vagueness and fuzzy boundaries between different types of works of art, some concern the amount of human intention and intervention in the process of creation of an artwork, and some concern the border between art and science. In these various ways, by understanding better such borderline cases, Benovsky suggests that we get a better grip on an understanding of the nature of art.--$$cProvided by publisher. 001430858 650_0 $$aAnalysis (Philosophy) 001430858 650_0 $$aAesthetics. 001430858 650_0 $$aFine arts. 001430858 650_6 $$aPhilosophie analytique. 001430858 655_0 $$aElectronic books. 001430858 77608 $$iPrint version: $$z3030547949$$z9783030547943$$w(OCoLC)1161654190 001430858 830_0 $$aSpringerBriefs in philosophy,$$x2211-4548 001430858 852__ $$bebk 001430858 85640 $$3Springer Nature$$uhttps://link.springer.com/10.1007/978-3-030-54795-0$$zOnline Access$$91397441.2 001430858 909CO $$ooai:library.usi.edu:1430858$$pGLOBAL_SET 001430858 980__ $$aBIB 001430858 980__ $$aEBOOK 001430858 982__ $$aEbook 001430858 983__ $$aOnline 001430858 994__ $$a92$$bISE