001430914 000__ 05156cam\a2200673\a\4500 001430914 001__ 1430914 001430914 003__ OCoLC 001430914 005__ 20230308003212.0 001430914 006__ m\\\\\o\\d\\\\\\\\ 001430914 007__ cr\un\nnnunnun 001430914 008__ 210105s2021\\\\sz\\\\\\o\\\\\001\0\eng\d 001430914 019__ $$a1228842923$$a1230566398$$a1231607942$$a1237017016$$a1237444412 001430914 020__ $$a9783030536145$$q(electronic bk.) 001430914 020__ $$a3030536149$$q(electronic bk.) 001430914 020__ $$z3030536130 001430914 020__ $$z9783030536138 001430914 0247_ $$a10.1007/978-3-030-53614-5$$2doi 001430914 035__ $$aSP(OCoLC)1228881391 001430914 040__ $$aYDX$$beng$$epn$$cYDX$$dGW5XE$$dUKMGB$$dOCLCF$$dQGK$$dEBLCP$$dUPM$$dLVT$$dOCLCO$$dOCL$$dOCLCO$$dOCLCQ$$dOCLCO$$dUKAHL$$dOCLCQ 001430914 049__ $$aISEA 001430914 050_4 $$aPN145$$b.W75 2021 001430914 08204 $$a808.0209$$223 001430914 24500 $$aWriting manuals for the masses :$$bthe rise of the literary advice industry from quill to keyboard /$$cAnneleen Masschelein, Dirk de Geest, editors. 001430914 260__ $$aCham :$$bPalgrave Macmillan,$$c2021. 001430914 300__ $$a1 online resource 001430914 336__ $$atext$$btxt$$2rdacontent 001430914 336__ $$astill image$$bsti$$2rdacontent 001430914 337__ $$acomputer$$bc$$2rdamedia 001430914 338__ $$aonline resource$$bcr$$2rdacarrier 001430914 347__ $$atext file 001430914 347__ $$bPDF 001430914 4901_ $$aNew Directions in Book History,$$x2634-6117 001430914 500__ $$aIncludes index. 001430914 5050_ $$a1. Introduction: Literary Advice from Quill to Keyboard, Anneleen Masschelein -- 2. Learning Fiction by Subscription: The Art and Business of Literary Advice 1884-1895, John Caughey -- 3. "You Will Be Surprised that Fiction Has Become an Art": The Language of Craft and the Legacy of Henry James, Mary Stewart Atwell -- 4. "Your Successful Man of Letters is Your Successful Tradesman": Fiction and the Marketplace in the British Author's Guides of the Late Nineteenth and Early Twentieth Centuries, Paul Vlitos -- 5. 'Do You Use a Pencil or a Pen?': Author Interviews as Literary Advice, Rebecca Roach -- 6. "Stand out from the Crowd!": Literary Advice in Online Writing Communities, Bronwen Thomas -- 7. Tools for Shaping Stories? Visual Plot Models in a Sample of Anglo-American Advice Handbooks, Liorah Hoek -- 8. The "Ready-Made-Writer" in a Selection of Contemporary Francophone Literary Advice Manuals, Françoise Grauby -- 9. Taking Self-help Books Seriously: The Informal Aesthetic Education of Writers, Alexandria Peary -- 10. A Pulse Before Shelf Life: Literary Advice on Notebook-writing as Event, Arne Vanraes -- 11. 'Writing by Prescription': Creative Writing as Therapy and Personal Development, Leni Van Goidsenhoven and Anneleen Masschelein -- 12. Reproduction as Literary Production: Self-expression and the Index in Kenneth Goldsmith's Uncreative Writing, Ioannis Tsitsovits -- 13. Creative Writing Crosses the Atlantic: An Attempt at Creating a Minor French Literature, Gert-Jan Meyntjens -- 14. "Mostrar, no decir": The Influence of and Resistance Against Workshop Poetics in the Hispanic Literary Field, Andrés Franco Harnache -- 15. Work and Writing Life: Shifts in the Relationship between 'Work' and 'The Work' in Twenty-First Century Literary Advice Memoirs, Elizabeth Kovach -- 16. "If You Can Read, You Can Write, Or Can You, Really?, Jim Collins. 001430914 5060_ $$aOpen access.$$5GW5XE 001430914 520__ $$aThis open access collection of essays examines the literary advice industry since its emergence in Anglo-American literary culture in the mid-nineteenth century within the context of the professionalization of the literary field and the continued debate on creative writing as art and craft. Often dismissed as commercial and stereotypical by authors and specialists alike, literary advice has nonetheless remained a flourishing business, embodying the unquestioned values of a literary system, but also functioning as a sign of a literary system in transition. Exploring the rise of new online amateur writing cultures in the twenty-first century, this collection of essays considers how literary advice proliferates globally, leading to new forms and genres. 001430914 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed February 22, 2021). 001430914 650_0 $$aAuthorship$$xVocational guidance$$xHistory. 001430914 650_0 $$aCriticism$$xHistory. 001430914 650_0 $$aBooks$$xHistory. 001430914 650_0 $$aCreative writing$$xHistory. 001430914 650_0 $$aAuthors and publishers$$xHistory. 001430914 650_6 $$aArt d'écrire$$xOrientation professionnelle$$xHistoire. 001430914 650_6 $$aCritique$$xHistoire. 001430914 650_6 $$aLivres$$xHistoire. 001430914 650_6 $$aCréation littéraire$$xHistoire. 001430914 650_6 $$aÉcrivains et éditeurs$$xHistoire. 001430914 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001430914 655_0 $$aElectronic books. 001430914 7001_ $$aMasschelein, Anneleen,$$d1971-$$eeditor. 001430914 7001_ $$aGeest, Dirk de,$$d1957-$$eeditor. 001430914 77608 $$iPrint version:$$tWriting manuals for the masses.$$dCham : Palgrave Macmillan, 2021$$z3030536130$$z9783030536138$$w(OCoLC)1158485903 001430914 830_0 $$aNew directions in book history,$$x2634-6117 001430914 852__ $$bebk 001430914 85640 $$3Springer Nature$$uhttps://link.springer.com/10.1007/978-3-030-53614-5$$zOnline Access$$91397441.2 001430914 909CO $$ooai:library.usi.edu:1430914$$pGLOBAL_SET 001430914 980__ $$aBIB 001430914 980__ $$aEBOOK 001430914 982__ $$aEbook 001430914 983__ $$aOnline 001430914 994__ $$a92$$bISE