001431329 000__ 05095cam\a2200613Ii\4500
001431329 001__ 1431329
001431329 003__ OCoLC
001431329 005__ 20230308003231.0
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001431329 007__ cr\cn\nnnunnun
001431329 008__ 220329s2022\\\\sz\a\\\\ob\\\\001\0\eng\d
001431329 020__ $$a9783030806460$$q(electronic bk.)
001431329 020__ $$a3030806464$$q(electronic bk.)
001431329 020__ $$z9783030806453
001431329 020__ $$z3030806456
001431329 020__ $$z9783030806484
001431329 020__ $$z3030806480
001431329 0247_ $$a10.1007/978-3-030-80646-0$$2doi
001431329 035__ $$aSP(OCoLC)1306232901
001431329 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dOCLCO$$dUKMGB$$dOCLCQ
001431329 049__ $$aISEA
001431329 050_4 $$aAM133$$b.A94 2022
001431329 08204 $$a069/.53$$223
001431329 1001_ $$aAxelsson, Bodil,$$eauthor.
001431329 24510 $$aMuseum digitisations and emerging curatorial agencies online :$$bVikings in the digital age /$$cBodil Axelsson, Fiona R. Cameron, Katherine Hauptman, Sheenagh Pietrobruno.
001431329 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2022]
001431329 264_4 $$c©2022
001431329 300__ $$a1 online resource :$$billustrations (chiefly color)
001431329 336__ $$atext$$btxt$$2rdacontent
001431329 337__ $$acomputer$$bc$$2rdamedia
001431329 338__ $$aonline resource$$bcr$$2rdacarrier
001431329 504__ $$aIncludes bibliographical references and index.
001431329 5050_ $$a1. Introduction -- 2. Curatorial Challenges: discussion forums and fragmented narratives -- 3. Tales of the Viking Helmet: Narrative Shifts from Museum Exhibitions to Personalised Search Requests -- 4. Viking Jewellery on Pinterest: Drifting digitisations and shared curatorial agency -- 5. Technospheric curation and the Swedish Allah ring: Refiguring digitisations and curatorial agency as ecological compositions, and eco-curating as planetary inhabitations -- 6. Conclusion.
001431329 5060_ $$aOpen access$$5GW5XE
001431329 520__ $$aThis open access book explores the multiple forms of curatorial agencies that develop when museum collection digitisations, narratives and new research findings circulate online. Focusing on Viking Age objects, it tracks the effects of antagonistic debates on discussion forums and the consequences of search engines, personalisation, and machine learning on American-based online platforms. Furthermore, it considers eco-systemic processes comprising computation, rare-earth minerals, electrical currents and data centres and cables as novel forms of curatorial actions. Thus, it explores curatorial agency as social constructivist, semiotic, algorithmic, and material. This book is of interest to scholars and students in the fields of museum studies, cultural heritage and media studies. It also appeals to museum practitioners concerned with curatorial innovation at the intersection of humanist interpretations and new materialist and more-than-human frameworks. Bodil Axelsson is Professor of Cultural Heritage at Linkoping University, Sweden. She researches across the fields of critical heritage studies, digital media and museology, and has led and coordinated a series of research projects within these fields. Fiona R Cameron is Associate Professor, Contemporary Museologies at the Institute for Culture and Society, Western Sydney University, Australia. Cameron is a pioneering figure in digital heritage studies, museum theory and museum engagement with controversial topics and climate action. Fiona has published 83 books and articles with leading publishers on these topics. Katherine Hauptman is Director at the Swedish History Museum and holds a Ph.D. in Archeology. She has a wide portfolio of experience in museum studies, education, governmental assignments and exhibition production. Hauptman has published books on Nordic and public archeology, heritage studies including gender perspectives, the uses of history and inclusive museums. Sheenagh Pietrobruno is Associate Professor of Social Communication at Saint Paul University/University of Ottawa, Canada. She has held fellowships in England, Canada, Sweden and Austria in media, performance, and heritage research. European Commission (2019) and G20 Italian Presidency (2021) invitations to present her pioneering work in digital (intangible) heritage have impacted policy.
001431329 588__ $$aDescription based on print version record.
001431329 650_0 $$aMuseums$$xCollection management$$xData processing.
001431329 650_0 $$aDigital preservation.
001431329 650_0 $$aViking antiquities.
001431329 650_0 $$aImage processing$$xDigital techniques.
001431329 650_6 $$aMusées$$xGestion des collections$$xInformatique.
001431329 650_6 $$aAntiquités vikings.
001431329 650_6 $$aTraitement d'images$$xTechniques numériques.
001431329 655_0 $$aElectronic books.
001431329 7001_ $$aCameron, Fiona,$$d1960-$$eauthor.
001431329 7001_ $$aHauptman, Katherine,$$eauthor.
001431329 7001_ $$aPietrobruno, Sheenagh,$$eauthor.
001431329 77608 $$iPrint version:$$aAxelsson, Bodil.$$tMuseum digitisations and emerging curatorial agencies online.$$dBasingstoke : Palgrave Macmillan, 2022$$z9783030806453$$w(OCoLC)1295100155
001431329 852__ $$bebk
001431329 85640 $$3Springer Nature$$uhttps://link.springer.com/10.1007/978-3-030-80646-0$$zOnline Access$$91397441.2
001431329 909CO $$ooai:library.usi.edu:1431329$$pGLOBAL_SET
001431329 980__ $$aBIB
001431329 980__ $$aEBOOK
001431329 982__ $$aEbook
001431329 983__ $$aOnline
001431329 994__ $$a92$$bISE