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1. Introduction
Helen Bailey & William Davies BECKETT & LANGUAGE POLITICS: Editors' Preface 2. The Politics of Forms in Beckett's Writing
Nadia Louar 3. Beckett, Contradiction and a Textual Politics of Change
Arka Chattopadhyay 4. 'Made of words': Beckett and the Politics of Language
Alan Graham 5. 'First the Place, Then I'll Find Me in It': The Unnamable's Pronouns and the Politics of Confinement
James Little BECKETT & BIOPOLITICS: Editors' Preface 6. Beckett, Evangelicalism and the Biopolitics of Famine
Seán Kennedy 7. Tweaking Misogyny or Misogyny Twisted: Beckett's Take on 'Aristotle and Phyllis' in Happy Days
Kumiko Kiuchi 8. Insufferable Maternity and Motherhood in 'First Love'
Brenda O'Connell 9. Beckett, Biopolitics and the Problem of Life
Marc Farrant 10. Beckett's Portrait of the Artist as a Young 'Post-War Degenerate'
Giovanna Vincenti 11. Waiting for Godot and the Fascist Aesthetics of the Body
Hannah Simpson BECKETT & GEOPOLITICS: Editors' Preface 12. Political Theatre and the Beckett Problem
Emilie Morin 13. 'The air is full of our cries': Staging Godot during apartheid South Africa
Matthew McFrederick 14. Samuel Beckett's Nominalist Politics and the Pitfalls of 'Presentism'
Matthew Feldman 15. Samuel Beckett's Subaltern Figures
Brendan Dowling 16. The Big House in the Suburbs: Home Thoughts from Abroad in Watt
Feargal Whelan 17. Beckett and the Politics of Empathy in Site-Specific Theatre
Niamh M. Bowe 18. Towards A Modernism with Meaning: Beckett's Refugees
Rodney Sharkey Afterword
Peter Boxall.

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