001432291 000__ 04568cam\a22005051i\4500
001432291 001__ 1432291
001432291 003__ OCoLC
001432291 005__ 20230309003434.0
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001432291 019__ $$a1199328841$$a1202475297$$a1225367638
001432291 020__ $$a3030556093$$qelectronic book
001432291 020__ $$a9783030556099$$q(electronic bk.)
001432291 020__ $$z9783030556082$$qhardcover
001432291 020__ $$z3030556085
001432291 0247_ $$a10.1007/978-3-030-55609-9$$2doi
001432291 035__ $$aSP(OCoLC)1203009571
001432291 040__ $$aUKMGB$$beng$$erda$$epn$$cUKMGB$$dOCLCO$$dYDX$$dUKAHL$$dOCLCF$$dGW5XE$$dEBLCP$$dTEF$$dYDXIT$$dN$T$$dDTM$$dOCLCO$$dOCLCQ
001432291 049__ $$aISEA
001432291 050_4 $$aML3921.8.P67$$bT46 2021eb
001432291 08204 $$a261.5/78$$223
001432291 1001_ $$aThornton, Daniel,$$eauthor.
001432291 24510 $$aMeaning-making in the contemporary congregational song genre /$$cDaniel Thornton.
001432291 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001432291 300__ $$a1 online resource (xv, 236 pages) :$$billustrations (black and white)
001432291 336__ $$atext$$btxt$$2rdacontent
001432291 337__ $$acomputer$$bc$$2rdamedia
001432291 338__ $$aonline resource$$bcr$$2rdacarrier
001432291 504__ $$aIncludes bibliographical references and index.
001432291 5050_ $$aChapter 1 Contemporary Congregational Songs Genre Formation and Scrutiny Introduction Key Questions and Findings The Formation of a Genre Perspectives on CCS History Selected Scholarship Why Music Semiology? (Texts, Writers, Audience) YouTube -- the Primary Text Chapter 2 Contemporary Congregational Songs What's in a Name? Praise and Worship Theology Contemporary for whom? Defining congregational Songs or Music? Are the most sung songs representative of the genre? Songs Under Analysis Chapter 3 The Contemporary Congregational Song Industry (Poietic Analysis Pt 1) Introduction Where Do They Come From? Authenticity, Originality, and the Singer-Songwriter The Production Milieu Industry Insights Chapter 4 So the Songwriters Say (Poietic Analysis Pt 2) Who's who? Writing for the People Performance or Participation? Predicting Success Conclusion Chapter 5 The Old and New Guard -- Ways of Thinking for Contemporary Congregational Songs Writers (Poietic Analysis Pt 3) Bridging Old and New Theological Considerations Co-writing Roles and Writing Poietic conclusion Chapter 6 How Christians Feel About the Songs they Sing -- Individually (Esthesic Analysis Pt 1) Methods and Background To Sing or Not to Sing The Individual's Perspective and their Voice Why Christians Connect with Certain Songs Chapter 7 How Christians Feel About the Songs they Sing -- Corporately (Esthesic Analysis Pt 2) Australia's National Church Life Surveys What Gathered Worshipers Really Think The Other NCLS Survey and What it Reveals The Big Picture of Local Churches' Musical Worship Synthesizing the Individual and Corporate Chapter 8 Just Another Pop Song? The Music (Trace Analysis Pt 1) Introduction Memorable Melodies Melodic Expectations Catchy Banal Harmony The Band Tempos and Time Signatures Structure Chapter 9 Just Another Pop Song? The Lyrics (Trace Analysis Pt 2) Introduction Counting Lyrics Addressing God Theology and Poetry CCS Categories Focus of current CCS Chapter 10 Some Individual Examples -- Australia (Trace Analysis Pt 3) The Problem with Analysing a Genre Cornerstone Mighty To Save Oceans (Where Feet May Fail) What A Beautiful Name Chapter 11 Some Individual Examples -- UK and USA (Trace Analysis Pt 4) 10,000 Reasons How Great Is Our God In Christ Alone Revelation Song Trace Analysis Conclusion Chapter 12 The Current and Future Contemporary Congregational Songs Genre Meaning-making in CCS Conflicting Messages Ambivalence or Appropriation The Evolving Genre The Functional Genre Where to From Here?.
001432291 506__ $$aAccess limited to authorized users.
001432291 588__ $$aDescription based on online resource; title from digital title page (viewed on December 28, 2020).
001432291 650_0 $$aPopular music$$xReligious aspects$$xChristianity.
001432291 650_0 $$aMusic in churches.
001432291 650_6 $$aMusique populaire$$xAspect religieux$$xChristianisme.
001432291 650_6 $$aMusique dans les églises.
001432291 655_0 $$aElectronic books.
001432291 77608 $$iPrint version:$$aThornton, Daniel$$tMeaning-making in the contemporary congregational song genre$$dCham, Switzerland : Palgrave Macmillan, 2021$$z9783030556082
001432291 852__ $$bebk
001432291 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-55609-9$$zOnline Access$$91397441.1
001432291 909CO $$ooai:library.usi.edu:1432291$$pGLOBAL_SET
001432291 980__ $$aBIB
001432291 980__ $$aEBOOK
001432291 982__ $$aEbook
001432291 983__ $$aOnline
001432291 994__ $$a92$$bISE