001433267 000__ 03442cam\a2200601\i\4500
001433267 001__ 1433267
001433267 003__ OCoLC
001433267 005__ 20230309003557.0
001433267 006__ m\\\\\o\\d\\\\\\\\
001433267 007__ cr\un\nnnunnun
001433267 008__ 210105s2021\\\\sz\\\\\\ob\\\\001\0\eng\d
001433267 019__ $$a1229929397$$a1238205879
001433267 020__ $$a9783030627119$$q(electronic bk.)
001433267 020__ $$a303062711X$$q(electronic bk.)
001433267 020__ $$z3030627101
001433267 020__ $$z9783030627102
001433267 0247_ $$a10.1007/978-3-030-62711-9$$2doi
001433267 035__ $$aSP(OCoLC)1228877114
001433267 040__ $$aYDX$$beng$$epn$$cYDX$$dSFB$$dN$T$$dGW5XE$$dDCT$$dEBLCP$$dOCLCO$$dOCLCF$$dUKAHL$$dOWS$$dYDX$$dOCL$$dOCLCO$$dOCLCQ
001433267 049__ $$aISEA
001433267 050_4 $$aPR6052.U894
001433267 08204 $$a822/.92$$223
001433267 08204 $$a792$$223
001433267 1001_ $$aMcEvoy, Sean,$$d1959-$$eauthor.
001433267 24510 $$aClass, culture and tragedy in the plays of Jez Butterworth /$$cSean McEvoy.
001433267 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001433267 300__ $$a1 online resource
001433267 336__ $$atext$$btxt$$2rdacontent
001433267 337__ $$acomputer$$bc$$2rdamedia
001433267 338__ $$aonline resource$$bcr$$2rdacarrier
001433267 347__ $$atext file
001433267 347__ $$bPDF
001433267 504__ $$aIncludes bibliographical references and index.
001433267 5050_ $$a1. Introduction -- 2. Yakkety Yak: Mojo (1995) -- 3. Exclusion from the Garden: The Night Heron (2002) -- 4. Homage: The Winterling (2006) -- 5. Drought: Parlour Song (2008) -- 6. The Enchanted Wood: Jerusalem (2009) -- 7. Time, Myth and Power: The River (2012) -- 8. Allusion: The Ferryman (2017).
001433267 506__ $$aAccess limited to authorized users.
001433267 520__ $$aJez Butterworth is undoubtedly one of the most popular and commercially successful playwrights to have emerged in Britain in the early twenty-first century. This book, only the second so far to have been written on him, argues that the power of his most acclaimed work comes from a reinvigoration of traditional forms of tragedy expressed in a theatricalized working-class language. Butterworth's most developed tragedies invoke myth and legend as a figurative resistance to the flat and crushing instrumentalism of contemporary British political and economic culture. In doing so they summon older, resonant narratives which are both popular and high-cultural in order to address present cultural crises in a language and in a form which possess wide appeal. Tracing the development of Butterworth's work chronologically from Mojo (1995) to The Ferryman (2017), each chapter offers detailed critical readings of a single play, exploring how myth and legend become significant in a variety of ways to Butterworth's presentation of cultural and personal crisis.
001433267 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 1, 2021).
001433267 60010 $$aButterworth, Jez$$xCriticism and interpretation.
001433267 650_0 $$aDramatists, English$$y21st century.
001433267 650_0 $$aTheater.
001433267 650_0 $$aDrama.
001433267 650_6 $$aDramaturges anglais$$y21e siècle.
001433267 650_6 $$aThéâtre.
001433267 650_6 $$aThéâtre (Genre littéraire)
001433267 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001433267 655_0 $$aElectronic books.
001433267 77608 $$iPrint version:$$z3030627101$$z9783030627102$$w(OCoLC)1198715361
001433267 852__ $$bebk
001433267 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-62711-9$$zOnline Access$$91397441.1
001433267 909CO $$ooai:library.usi.edu:1433267$$pGLOBAL_SET
001433267 980__ $$aBIB
001433267 980__ $$aEBOOK
001433267 982__ $$aEbook
001433267 983__ $$aOnline
001433267 994__ $$a92$$bISE