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Table of Contents
1. Introduction
2. Unlink the Chain: Experiment in Aphra Behns Novels
3. Experiment in Prose: Authority and Experience in Lady Mary Wortley Montagus Letters
4. Experiments, Experimentalists, Experimentation: Dissecting Frankenstein
5. Genre-Bending and Experimentation in Sensation Fiction; The Case of Mary Braddon and Ellen Wood
6. The Ironic Strategies of Kate Chopins The Awakening
7. Realms of Resemblance: Virginia Woolf, Simone de Beauvoir and Mai Zetterling
8. Neo-Victorian Experimental Narrative: Writing the Absent Objects of History in Affinity and In the Red Kitchen
9. 1966 and Wide Sargasso Sea: The Climate that Made Jean Rhys Legible
10. Troublesome reading: story and speculation in African American and African originated womens writing. Resurrecting the past, re-imagining the future
11. 'Shes a Fine Girl': An Autotheoretical Examination of Early Experiences of Sexuality and Selfhood in Eimear McBrides A Girl is a Half-Formed Thing and Charlotte Roches Wetlands
12. Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Womens Literature
13. 'Daring to tilt worlds': the fiction of Irenosen Okojie
14. Working from the Wound: Trauma, memory and experimental writing praxis in Jeanette Wintersons Why Be Happy When You Could Be Normal?.
2. Unlink the Chain: Experiment in Aphra Behns Novels
3. Experiment in Prose: Authority and Experience in Lady Mary Wortley Montagus Letters
4. Experiments, Experimentalists, Experimentation: Dissecting Frankenstein
5. Genre-Bending and Experimentation in Sensation Fiction; The Case of Mary Braddon and Ellen Wood
6. The Ironic Strategies of Kate Chopins The Awakening
7. Realms of Resemblance: Virginia Woolf, Simone de Beauvoir and Mai Zetterling
8. Neo-Victorian Experimental Narrative: Writing the Absent Objects of History in Affinity and In the Red Kitchen
9. 1966 and Wide Sargasso Sea: The Climate that Made Jean Rhys Legible
10. Troublesome reading: story and speculation in African American and African originated womens writing. Resurrecting the past, re-imagining the future
11. 'Shes a Fine Girl': An Autotheoretical Examination of Early Experiences of Sexuality and Selfhood in Eimear McBrides A Girl is a Half-Formed Thing and Charlotte Roches Wetlands
12. Helen Oyeyemi at the Vanguard of Innovation in Contemporary Black British Womens Literature
13. 'Daring to tilt worlds': the fiction of Irenosen Okojie
14. Working from the Wound: Trauma, memory and experimental writing praxis in Jeanette Wintersons Why Be Happy When You Could Be Normal?.