001433670 000__ 03543cam\a2200565\i\4500
001433670 001__ 1433670
001433670 003__ OCoLC
001433670 005__ 20230309003647.0
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001433670 008__ 210204s2021\\\\sz\a\\\\ob\\\\001\0\eng\d
001433670 019__ $$a1236266614
001433670 020__ $$a9783030629458$$q(electronic book)
001433670 020__ $$a3030629457$$q(electronic book)
001433670 020__ $$z3030629449
001433670 020__ $$z9783030629441
001433670 0247_ $$a10.1007/978-3-030-62945-8$$2doi
001433670 035__ $$aSP(OCoLC)1236131782
001433670 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dYDXIT$$dN$T$$dOCLCO$$dOCLCF$$dYDXIT$$dUKMGB$$dGW5XE$$dEBLCP$$dUKAHL$$dOCLCO$$dOCLCQ
001433670 049__ $$aISEA
001433670 050_4 $$aPN1995$$b.L39 2021
001433670 08204 $$a791.4301/5$$223
001433670 1001_ $$aLaw, Hoi Lun,$$eauthor.
001433670 24510 $$aAmbiguity and film criticism :$$breasonable doubt /$$cHoi Lun Law.
001433670 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001433670 300__ $$a1 online resource
001433670 336__ $$atext$$btxt$$2rdacontent
001433670 337__ $$acomputer$$bc$$2rdamedia
001433670 338__ $$aonline resource$$bcr$$2rdacarrier
001433670 4901_ $$aPalgrave close readings in film and television
001433670 504__ $$aIncludes bibliographical references and index.
001433670 5050_ $$aIntroduction: Rethinking Ambiguity -- Part One: Considering Context and Convention -- 1. Difficulty of Explanation: The Enigmatic Vase Shots in Late Spring -- 2. Perplexing Style: The Programmatic Editing Strategy of Ten -- 3. Appropriateness of Clarification: Analytical Decoupage and the Reductive Viewpoint -- Part Two: Reading in Detail -- 4. Depth of Suggestion: The Demonstrative Gestures in In a Lonely Place -- 5. Uncertainty of Understanding: The Unsettling Direct Look in Beyond a Reasonable Doubt -- Part Three: Coming to a Close -- 6. Questioning Closure: The Inconclusive Final Moments of Force Majeur -- Concluding Remarks: Reason and Responsibility.
001433670 506__ $$aAccess limited to authorized users.
001433670 520__ $$aThis book defends an account of ambiguity which illuminates the aesthetic possibilities of film and the nature of film criticism. Ambiguity typically describes the condition of multiple meanings. But we can find multiple meanings in what appears unambiguous to us. So, what makes ambiguity ambiguous? This study argues that a sense of uncertainty is vital to the concept. Ambiguity is what presses us to inquire into our puzzlement over a movie, to persistently ask why is it as it is? Notably, this account of the concept is also an account of its criticism. It recognises that a satisfying assessment of what is ambiguous involves both our reason and doubt; that is, reason and doubt can work together in our practice of reading. This book, then, considers ambiguity as a form of reasonable doubt, one that invites us to reflect on our critical efforts, rethinking the operation of film criticism.
001433670 588__ $$aOnline resource; title from digital title page (viewed on February 11, 2021).
001433670 650_0 $$aFilm criticism.
001433670 650_0 $$aAmbiguity.
001433670 650_0 $$aAmbiguity in motion pictures.
001433670 650_6 $$aCritique cinématographique.
001433670 650_6 $$aAmbiguïté.
001433670 650_6 $$aAmbiguïté au cinéma.
001433670 655_0 $$aElectronic books.
001433670 77608 $$iPrint version:$$z3030629449$$z9783030629441$$w(OCoLC)1198979027
001433670 830_0 $$aPalgrave close readings in film and television.
001433670 852__ $$bebk
001433670 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-62945-8$$zOnline Access$$91397441.1
001433670 909CO $$ooai:library.usi.edu:1433670$$pGLOBAL_SET
001433670 980__ $$aBIB
001433670 980__ $$aEBOOK
001433670 982__ $$aEbook
001433670 983__ $$aOnline
001433670 994__ $$a92$$bISE