@article{1433901,
      recid = {1433901},
      author = {Bittar, Eduardo Carlos Bianca,},
      title = {Semiotics, law & art : between theory of justice and  theory of law /},
      pages = {1 online resource (xiv, 216 pages) :},
      abstract = {This book presents an interdisciplinary study of the  relation between semiotics, law & art. Focusing on  Greimasian semiotics, it examines specific works of art  (from Giotto to Banksy) that deal with the theme of  justice, promoting a more sensitive and humanized  perception of the values that surround law. The book offers  readers a comprehensive review of the semiotics of law,  critically examining the relation between law & art. It  covers a variety of topics, including semiotics, law and  art; semiotics, art and experience; and society, law and  art, as well as semiotics, law and painting; semiotics, law  and architecture; semiotics, law and theatre; semiotics,  law and literature; and semiotics, law and culture. In  doing so, it uses the semiotics of painting to explain the  symbology of justice and its significance in history; the  semiotics of architecture to explain the setting of  justice; the semiotics of theatre to explain the logic of  the legal process; and the semiotics of literature to  explain the narrative logic of legal decisions. Lastly,  drawing on the semiotics of culture, it discusses ways of  promoting justice, citizenship and human rights. Written  from both philosophical and semiotical perspectives, the  book enhances the centrality of visual jurisprudence  studies to promote a better understanding of the role of  law.},
      url = {http://library.usi.edu/record/1433901},
      doi = {https://doi.org/10.1007/978-3-030-58880-9},
}