001434002 000__ 04778cam\a2200517\i\4500 001434002 001__ 1434002 001434002 003__ OCoLC 001434002 005__ 20230309003705.0 001434002 006__ m\\\\\o\\d\\\\\\\\ 001434002 007__ cr\cn\nnnunnun 001434002 008__ 210219s2021\\\\sz\a\\\\ob\\\\001\0\eng\d 001434002 019__ $$a1237869006$$a1244117597 001434002 020__ $$a9783030487133$$q(electronic book) 001434002 020__ $$a303048713X$$q(electronic book) 001434002 020__ $$z3030487121 001434002 020__ $$z9783030487126 001434002 0247_ $$a10.1007/978-3-030-48713-3$$2doi 001434002 035__ $$aSP(OCoLC)1237848762 001434002 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dYDXIT$$dOCLCO$$dN$T$$dUKMGB$$dGW5XE$$dDCT$$dEBLCP$$dOCLCF$$dUKAHL$$dUKOBU$$dOCLCO$$dOCLCQ$$dSHC$$dOCLCQ 001434002 049__ $$aISEA 001434002 050_4 $$aPN1996$$b.S37 2021 001434002 08204 $$a808.2/3$$223 001434002 24500 $$aScript development :$$bcritical approaches, creative practices, international perspectives /$$cCraig Batty, Stayci Taylor, editors. 001434002 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021] 001434002 300__ $$a1 online resource :$$billustrations (some color) 001434002 336__ $$atext$$btxt$$2rdacontent 001434002 337__ $$acomputer$$bc$$2rdamedia 001434002 338__ $$aonline resource$$bcr$$2rdacarrier 001434002 347__ $$atext file 001434002 347__ $$bPDF 001434002 504__ $$aIncludes bibliographical references and index. 001434002 5050_ $$aPart 1: Looking into Script Development: Theories on Practice. Originality, and Development of the Screen Idea / Ian W. Macdonald ; How Government Policy Defines Script Development: Comparative Case Studies of Screen Australia and the Danish Film Institute / Radha OMeara and Cath Moore ; Screenplay Development and the Post-Socialist Producer: A Small-Market Perspective / Petr Szczepanik ; The Persistence of Cultural Vision: Australian Screenwriting 1994-2013 / Glenda Hambly ; Beyond Stereotype: Collaborative Script Development for Stories about Mental Illness and Suicide / Fincina Hopgood ; Network Television Writers and the Race Problems of 1968 / Caryn Murphy ; Telling Stories about Yesterdays Hero for Todays World: The Script Development of Chilean TV series Heroes (2006-2007) / Carmen Sofia Brenes, Margaret McVeigh and Alejandro C. Reid ; Author and Screenwriter Working Together on an Adapted Script: The Case of O quatrilho / Clarissa Mazon Miranda ; Establishing a Shared Cultural Domain within European Co-Production: Nordic Noir as Boundary Object / Rosamund Davies -- Part 2: Looking out from Script Development: Practice into Theory. Holding Ground and Moving Targets: Scripting Urban Terror in East Africa / Joshua McNamara ; Screenplay Development and Social Change in Papua New Guinea / Mark Eby ; Uncertainty, Risk and Entering Unsafe Territory: Exploring the Writing Process of a New Zealand Indigenous Screenwriter / Christina Milligan ; So Much Drama, So Little Time: Script Development in Australian Fast Turnaround Serial Drama / Philippa Burne and Noel Maloney ; Finding the Beats in the TV Sitcom / D.T. Klika ; The Promiscuous Screenplay: Writing with Anything and Everything / Siobhan Jackson ; Subjects of the Gaze: Script Development as Performance / Emma Bolland and Louise Sawtell. 001434002 506__ $$aAccess limited to authorized users. 001434002 520__ $$aThis book offers the first international look at how script development is theorised and practiced. Drawing on interviews, case studies, discourse analysis, creative practices and industry experiences, it brings together scholars and practitioners from around the world to offer critical insights into this core, but often hidden, aspect of screenwriting and screen production. Chapters speculate and reflect upon how creative, commercial and social practices in which ideas, emotions, people and personalities combine, cohere and clash are shaped by the practicalities, policies and rapid movements of the screen industry. Comprising two parts, the book first looks into script development from a theoretical perspective, and second looks out from the practice to form practitioner-led perspectives of script development. With a rising interest in screenwriting and production studies, and an increased appetite for practice-based research, the book offers a timely mapping of the terrain of script development, providing rich foundations for both study and practice. 001434002 588__ $$aOnline resource; title from digital title page (viewed on March 02, 2021). 001434002 650_0 $$aMotion picture plays$$xTechnique. 001434002 655_0 $$aElectronic books. 001434002 7001_ $$aBatty, Craig,$$eeditor. 001434002 7001_ $$aTaylor, Stayci,$$d1969-$$eeditor. 001434002 77608 $$iPrint version:$$z3030487121$$z9783030487126$$w(OCoLC)1152497435 001434002 852__ $$bebk 001434002 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-48713-3$$zOnline Access$$91397441.1 001434002 909CO $$ooai:library.usi.edu:1434002$$pGLOBAL_SET 001434002 980__ $$aBIB 001434002 980__ $$aEBOOK 001434002 982__ $$aEbook 001434002 983__ $$aOnline 001434002 994__ $$a92$$bISE