001434381 000__ 03277cam\a2200529\i\4500
001434381 001__ 1434381
001434381 003__ OCoLC
001434381 005__ 20230309003726.0
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001434381 007__ cr\cn\nnnunnun
001434381 008__ 210226s2021\\\\sz\a\\\\o\\\\\001\0\eng\d
001434381 019__ $$a1241451507
001434381 020__ $$a9783030633035$$q(electronic bk.)
001434381 020__ $$a3030633039$$q(electronic bk.)
001434381 020__ $$z3030633020
001434381 020__ $$z9783030633028
001434381 0247_ $$a10.1007/978-3-030-63303-5$$2doi
001434381 035__ $$aSP(OCoLC)1239962890
001434381 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dN$T$$dOCLCO$$dYDXIT$$dUKMGB$$dGW5XE$$dEBLCP$$dOCLCF$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ
001434381 049__ $$aISEA
001434381 050_4 $$aPN6714$$b.S36 2021
001434381 08204 $$a741.5355$$223
001434381 1001_ $$aSchmid, Johannes C. P.,$$eauthor.
001434381 24510 $$aFrames and framing in documentary comics /$$cJohannes C.P. Schmid.
001434381 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001434381 300__ $$a1 online resource :$$billustrations
001434381 336__ $$atext$$btxt$$2rdacontent
001434381 337__ $$acomputer$$bc$$2rdamedia
001434381 338__ $$aonline resource$$bcr$$2rdacarrier
001434381 4901_ $$aPalgrave studies in comics and graphic novels
001434381 500__ $$aIncludes index.
001434381 5050_ $$a1. Introduction: Comics Framing and the Construction of Facts -- 2. Framing Actuality: Frame Theory, Graphic Narrative, and (Post- )Documentary -- 3. Material Framing: The Paratext -- 4. Visual Framing: From the Line to the Multiframe -- 5. Narrative Framing: Storytelling, Structures, and Perspectives -- 6. 1. Conclusion: Redrawing Boundaries in the Digital Age.
001434381 506__ $$aAccess limited to authorized users.
001434381 520__ $$aFrames and Framing in Documentary Comics explores how graphic narratives reframe global crises while also interrogating practices of fact-finding. An analog print phenomenon in an era shaped by digitalization, documentary comics formulates a distinct counterapproach to conventional journalism. In what ways are facts being presented and framed? What is documentary honesty in a world of fake news and post-truth politics? How can the stories of marginalized peoples and neglected crises be told? The author investigates documentary comics in its unique relationship to framing: graphic narratives are essentially shaped by a reciprocal relationship between the manifest frames on the page and the attention to the cognitive frames that they generate. To account for both the textuality of comics and its strategic use as rhetoric, the author combines theories of framing analysis and cognitive narratology with comics studies and its attention toward the mediums visual frames.
001434381 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed March 23, 2021).
001434381 650_0 $$aDocumentary comic books, strips, etc.$$xHistory and criticism.
001434381 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001434381 655_0 $$aElectronic books.
001434381 77608 $$iPrint version:$$z9783030633035
001434381 77608 $$iPrint version:$$z3030633020$$z9783030633028$$w(OCoLC)1200580567
001434381 830_0 $$aPalgrave studies in comics and graphic novels.
001434381 852__ $$bebk
001434381 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-63303-5$$zOnline Access$$91397441.1
001434381 909CO $$ooai:library.usi.edu:1434381$$pGLOBAL_SET
001434381 980__ $$aBIB
001434381 980__ $$aEBOOK
001434381 982__ $$aEbook
001434381 983__ $$aOnline
001434381 994__ $$a92$$bISE