Music and fuzzy logic : the dialectics of idea and realizations in the artwork process / Hanns-Werner Heister.
Heister, Hanns-Werner, 1946- author.
2021
MT90
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Title
Music and fuzzy logic : the dialectics of idea and realizations in the artwork process / Hanns-Werner Heister.
Author
Heister, Hanns-Werner, 1946- author.
ISBN
3662629070 (electronic book)
9783662629079 (electronic bk.)
3662629054
9783662629055
DOI
https://doi.org/10.1007/978-3-662-62907-9
Published
Berlin : Springer, [2021]
Language
English
Description
1 online resource
Item Number
10.1007/978-3-662-62907-9 doi
Call Number
MT90
Dewey Decimal Classification
781
511.3/13
Summary
This book unfolds the manifold, complex and intertwined relations between Fuzzy Logic and music in a first comprehensive overview on this topic: systematically as an outline, as completely as possible, in the aspects of Fuzzy Logic in this relation, and especially in music as a process with three main phases, five anthropological layers, and thirteen forms of existence of the art work (Classics, Jazz, Pop, Folklore). Being concerned with the ontological, gnoseological, psychological, and (music- ) aesthetical status and the relative importance of different phenomena of relationship between music and Fuzzy Logic, the explication follows the four main principles (with five phenotypes) of Fuzzy Logic with respect to music: similarity, sharpening 1 as filtering, sharpening 2 as crystallization, blurring, and variation. The book reports on years of authors research on topics that have been only little explored so far in the area of Music and Fuzzy Logic. It merges concepts of music analysis with fuzzy logical modes of thinking, in a unique way that is expected to attract both specialists of music and specialists of Fuzzy Logic, and also non-specialists in both fields. The book introduces the concept of dialectic between sharpening and conscious "blurring." In turn, some important aspects of this dialectic are discussed, placing them in an historical dimension, and ending in the postulation of a 'musical turn' in the sciences, with some important reflections concerning a "Philosophy of Fuzzy Logic." Moreover, a production-oriented thinking is borrowed from fuzzy logic to musicology in this book, opening new perspectives in music, and possibly also in other artistic fields
Bibliography, etc. Note
Includes bibliographical references.
Access Note
Access limited to authorized users.
Digital File Characteristics
text file
PDF
Source of Description
Online resource; title from PDF title page (SpringerLink, viewed March 17, 2021).
Series
Studies in fuzziness and soft computing ; v. 406.
Available in Other Form
Print version: 9783662629055
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Introduction. Fuzzy Logic's Four Art-related Principles and Five Phenotypes in the Musical Process
The Structure of the Music Process and the Work's Thirteen 'Forms of Existence' : Identity in and as a Process, against and through Differences
Fundamental Fuzziness: The Imperfect Perfection
The Principle of Similarity: The Resultant of Identity and Difference
The Principle of Sharpening (I): Filtering, Cosmos out of Chaos Aspects and Elements of Musical Materials
The Principle of Sharpening (II): Crystallization. Development and Advancement of Musical Shapes
The Principle of Blurring: Conscious, Artistically Produced Blurrings.

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