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Introduction: Laying out a Terrain of the Phone-based Star Discourse in Chinese Cinemas
Part I: Anglophone Media Space
Mediating Action and Speech: Michelle Yeohs Inter-phonic Star Appeal in Pan-Pacific Connections
The Exotic Sound of New China: Fan Bingbing and Liu Yifei in Hollywood Star Vehicles
From King of Mandopop to the New Kato: Vocal Eccentricities, Coolness, and the Crossover Image of Jay Chou
Part II: Sinophone Cinematic Space
Tang Wei: Lingual Versatility, On-/Off-screen Existence, and the Chinese-Korean Popular Imagination
Modern Women, Old Shanghai: Maggie Cheung, Sammi Cheng, and Female Vocality in Two Stanley Kwans Sinophone Films
Bi-ethnicity, Multi-dialecticality: Takeshi Kaneshiros Lingua-Crossing Public Persona
Part III: Participatory Web Space
Mute Fighters: Dialectics of Corporeal Presence and Vocal Absence in Digital Fan Videos Featuring Bruce Lee and Donnie Yen
When Geisha Meets Mulan: User-generated Revoicing, (Dis)embodiment and Cyber Star Discourse of Zhang Ziyi
Conclusion: Reconsidering Chinese Film Stars
Toward a Polyphonic Presence.

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