The Colonial public and the Parsi stage : the making of the theatre of empire (1853-1893) / Rashna Darius Nicholson.
2021
PN2881.5 .N53 2021
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Title
The Colonial public and the Parsi stage : the making of the theatre of empire (1853-1893) / Rashna Darius Nicholson.
ISBN
3030658368 (ebook)
9783030658366 (electronic bk.)
9783030658359
303065835X
9783030658366 (electronic bk.)
9783030658359
303065835X
Published
Cham : Palgrave Macmillan, [2021]
Copyright
©2021
Language
English
Description
1 online resource (338 pages) : illustrations
Item Number
10.1007/978-3-030-65836-6 doi
Call Number
PN2881.5 .N53 2021
Dewey Decimal Classification
792.0954
Summary
The Colonial Public and the Parsi Stage is the first comprehensive study of the Parsi theatre, colonial South and Southeast Asias most influential cultural phenomenon and the precursor of the Indian cinema industry. By providing extensive, unpublished information on its first actors, audiences, production methods, and plays, this book traces how the theatrewhich was one of the first in the Indian subcontinent to adopt European stagecrafttransformed into a pan-Asian entertainment industry in the second half of the nineteenth century. Nicholson sheds light on the motivations that led to the development of the popular, commercial theatre movement in Asia through three areas of investigation: the vernacular public sphere, the emergence of competing visions of nationhood, and the narratological function that women served within a continually shifting socio-political order. The book will be of interest to scholars across several disciplines, including cultural history, gender studies, Victorian studies, the sociology of religion, colonialism, and theatre. Rashna Darius Nicholson is Assistant Professor of Theatre Studies at the University of Hong Kong. She has published works on colonial and postcolonial South Asian performance, theatre historiography, and cultural development.
Bibliography, etc. Note
Includes bibliographical references and index.
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Source of Description
Description based on print version record.
Series
Transnational theatre histories.
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Table of Contents
Chapter 1: Parsi compradors and the public sphere
Chapter 2: Social reform, law-making and the origins of the Parsi theatre
Chapter 3: Corporeal discipline
Chapter 4: Science, secular mythology and the professionalization of the Parsi theatre
Chapter 5: The expansion of the Parsi theatre
Chapter 6: The reformers in need of reforming
Chapter 7: Race-thinking and the parsi social drama.
Chapter 2: Social reform, law-making and the origins of the Parsi theatre
Chapter 3: Corporeal discipline
Chapter 4: Science, secular mythology and the professionalization of the Parsi theatre
Chapter 5: The expansion of the Parsi theatre
Chapter 6: The reformers in need of reforming
Chapter 7: Race-thinking and the parsi social drama.