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001435000 001__ 1435000
001435000 003__ OCoLC
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001435000 019__ $$a1237967090$$a1239983828$$a1244121442$$a1244625735
001435000 020__ $$a3030630277$$q(electronic book)
001435000 020__ $$a9783030630270$$q(electronic bk.)
001435000 020__ $$z9783030630263$$q(hardcover)
001435000 020__ $$z3030630269
001435000 0247_ $$a10.1007/978-3-030-63027-0$$2doi
001435000 035__ $$aSP(OCoLC)1242751711
001435000 040__ $$aUKMGB$$beng$$erda$$epn$$cUKMGB$$dOCLCO$$dYDXIT$$dOCLCO$$dGW5XE$$dEBLCP$$dYDX$$dDCT$$dOCLCF$$dN$T$$dUKAHL$$dTFW$$dOCLCQ$$dOCLCO$$dOCLCQ
001435000 049__ $$aISEA
001435000 050_4 $$aPN1998.3.R46$$bD38 2021
001435000 08204 $$a791.430233092$$223
001435000 1001_ $$aDavis, Colin,$$d1960-$$eauthor.
001435000 24510 $$aSilent Renoir :$$bphilosophy and the interpretation of early film /$$cColin Davis.
001435000 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001435000 300__ $$a1 online resource (ix, 142 pages) :$$billustrations (colour)
001435000 336__ $$atext$$btxt$$2rdacontent
001435000 337__ $$acomputer$$bc$$2rdamedia
001435000 338__ $$aonline resource$$bcr$$2rdacarrier
001435000 347__ $$atext file
001435000 347__ $$bPDF
001435000 4901_ $$aPalgrave pivot
001435000 504__ $$aIncludes bibliographical references and index.
001435000 5050_ $$aIntroduction: Renoir Goes to the Cinema -- But is it Art?: Heidegger and the (Moving) Images and the interpretation of early film -- Philosophy and Film (Again): From Ontology to Hermeneutics -- Reading and Overreading Film -- The Woman Who Wasn't There: Catherine Hessling -- The Missing Real: La Fille de l'eau and La Petite Marchande d'allumettes -- In Pursuit of the Untamed Other: Sur un air de Charleston and Le Bled -- Traces of War: Erasing Memory in Tire-au-flanc -- Conclusion.
001435000 506__ $$aAccess limited to authorized users.
001435000 520__ $$aJean Renoir (1894-1979) is widely regarded as one of the most distinguished directors in the history of world cinema. In the 1930s he directed a string of films which stretched the formal, intellectual, political and aesthetic boundaries of the art form, including works such as Le Crime de Monsieur Lange, La Grande Illusion, La Bete humaine and La Regle du jeu. However, the great directors early work from the 1920s remains almost completely unknown, even to film specialists. If it is discussed at all, it is often seen to be of interest only insofar as it anticipates themes and techniques perfected in the later masterpieces. Renoirs films of the 1920s were sometimes unfinished, commercially unsuccessful, or unreleased at the time of their production. This book argues that to regard them merely as prefigurations of later achievements entails a failure to view them on their own terms, as searching, unsettled experiments in the meaning and potential of film art.
001435000 588__ $$aOnline resource; title from digital title page (viewed on March 31, 2021).
001435000 60010 $$aRenoir, Jean,$$d1894-1979$$xCriticism and interpretation.
001435000 650_0 $$aCulture$$xStudy and teaching.
001435000 650_0 $$aMotion pictures$$xHistory.
001435000 650_0 $$aMotion pictures and television.
001435000 650_0 $$aMotion pictures$$xEuropean influences.
001435000 650_6 $$aCulture$$xÉtude et enseignement.
001435000 650_6 $$aCinéma$$xHistoire.
001435000 650_6 $$aCinéma et télévision.
001435000 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001435000 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001435000 655_0 $$aElectronic books.
001435000 77608 $$iPrint version:$$aDavis, Colin, 1960-$$tSilent Renoir.$$dCham, Switzerland : Palgrave Macmillan, an imprint of Springer Nature Switzerland AG, [2021]$$z9783030630263$$w(OCoLC)1230901473
001435000 830_0 $$aPalgrave pivot.
001435000 852__ $$bebk
001435000 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-63027-0$$zOnline Access$$91397441.1
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001435000 980__ $$aBIB
001435000 980__ $$aEBOOK
001435000 982__ $$aEbook
001435000 983__ $$aOnline
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