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Intro
Acknowledgements
Contents
Notes on Contributors
List of Images
1: Introduction: Nomadism, Fragmentation, and Marginality
The Hong Kong Music Underground in the East Asian Context
Defining Musical 'Undergrounds'
Positioning Hong Kong in East Asian Undergrounds
Locality, Translocalism, Sceneness
Hong Kong Underground Music Scenes as Fractured Scenes
Chapter Outlines
Part One: Different Perspectives on the Hong Kong Underground
Part Two Take 1: Individual Case Studies in Noise/Experimental/Free Improvisation

Part Two Take 2: Individual Case Studies in Sound Art/Contemporary Approach
Part Two Take 3: Individual Case Studies in Indie-Rock/Indie-Pop and Electronic Music
Part Three: Inter/faces
Mainland China
Japan
Towards a Plurality of Translocal Undergrounds in East Asia
References
Part One: Perspectives on the Hong Kong Underground
2: Ice Skating and Stinky Foods: Notes from the Hong Kong Underground, 2018-2019
Background to My Work and Residency
Vessel: The First Night (October 9, 2019)
Resonance: The Second Night (October 10, 2019)

Bread: The Third Night (October 11, 2019)
References
3: Interview with Xper. Xr.
4: Interview with Kung Chi Shing
Part Two, Take 1: Individual Case Studies in Noise/Experimental Music/Free Improvisation
5: The Politics of Noise: An Interview with Sound Scientist Dennis Wong
Foreword by Blair Reeve
6: Opportunities in Theatre Performing Arts Advancement in Bettering Underground Music Development: A Reflection on the Relevance of the Technical Production in Local/Global Experimental Music Performances

7: A "No-Venue Underground": Making Experimental Music Around Hong Kong's Lack of Performance Spaces
Unit 7, 8th floor, Block B, Wah Tat Industrial Centre, 8-10 Wah Sing Street, Kwai Hing, Kowloon, Hong Kong
Hijacking the City
An Underground Without Ground
References
Part Two, Take 2: Individual Case Studies in Sound and Contemporary Art
8: Interview with Samson Young
9: Noises That No One Else Hears
Listening Under Unstable Conditions
The Work of Amateurs
References

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