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001435560 001__ 1435560
001435560 003__ OCoLC
001435560 005__ 20230309003900.0
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001435560 007__ cr\un\nnnunnun
001435560 008__ 210405s2021\\\\sz\\\\\\ob\\\\001\0\eng\d
001435560 019__ $$a1245672694
001435560 020__ $$a9783030664183$$q(electronic bk.)
001435560 020__ $$a303066418X$$q(electronic bk.)
001435560 020__ $$z3030664171
001435560 020__ $$z9783030664176
001435560 0247_ $$a10.1007/978-3-030-66418-3$$2doi
001435560 035__ $$aSP(OCoLC)1244806301
001435560 040__ $$aYDX$$beng$$epn$$cYDX$$dN$T$$dOCLCO$$dGW5XE$$dEBLCP$$dOCLCF$$dOCLCQ$$dOCLCO$$dOCLCQ
001435560 043__ $$ae-no---
001435560 049__ $$aISEA
001435560 050_4 $$aPN1992.65
001435560 08204 $$a791.4509481$$223
001435560 1001_ $$aSundet, Vilde Schanke.
001435560 24510 $$aTelevision drama in the age of streaming :$$btransnational strategies and digital production cultures at the NRK /$$cVilde Schanke Sundet.
001435560 260__ $$aCham :$$bPalgrave MacMillan,$$c2021.
001435560 300__ $$a1 online resource
001435560 336__ $$atext$$btxt$$2rdacontent
001435560 337__ $$acomputer$$bc$$2rdamedia
001435560 338__ $$aonline resource$$bcr$$2rdacarrier
001435560 504__ $$aIncludes bibliographical references and index.
001435560 5050_ $$a1. National Television, Drama, and Streaming -- 2. Industry Perceptions of Streaming -- 3. Changing Production Cultures -- 4. Changing Publishing Strategies -- 5. Changing Industry-Audience Relations -- 6. The End of Television and the New Beginning --
001435560 506__ $$aAccess limited to authorized users.
001435560 520__ $$aThis book examines television drama in the age of streaming time when television has been reshaped for national and international consumption via both linear low and on-demand user modes. It builds on an in-depth study of the Norwegian public service broadcaster (NRK) and some of its game-changing drama productions (Lilyhammer, SKAM, blank). The book portrays the formative first decade of television streaming, how streaming services and incumbent television providers intersect and act in a new drama landscape, and how streaming impacts production cultures, publishing models and industry-audience relations. The analysis draws on insight gained through more than a hundred interviews with television experts and fans, hundreds of hours of observations, and unique access to industry conferences, meetings, working documents, and ratings. It combines perspectives from production studies, media industry studies, and fan studies.
001435560 650_0 $$aTelevision programs$$zNorway.
001435560 650_0 $$aStreaming video.
001435560 650_6 $$aÉmissions télévisées$$zNorvège.
001435560 650_6 $$aVidéo en continu.
001435560 655_0 $$aElectronic books.
001435560 77608 $$iPrint version:$$z3030664171$$z9783030664176$$w(OCoLC)1223066071
001435560 852__ $$bebk
001435560 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-66418-3$$zOnline Access$$91397441.1
001435560 909CO $$ooai:library.usi.edu:1435560$$pGLOBAL_SET
001435560 980__ $$aBIB
001435560 980__ $$aEBOOK
001435560 982__ $$aEbook
001435560 983__ $$aOnline
001435560 994__ $$a92$$bISE