001435738 000__ 03611cam\a2200553\i\4500 001435738 001__ 1435738 001435738 003__ OCoLC 001435738 005__ 20230309003950.0 001435738 006__ m\\\\\o\\d\\\\\\\\ 001435738 007__ cr\un\nnnunnun 001435738 008__ 210413s2021\\\\sz\\\\\\ob\\\\000\0\eng\d 001435738 019__ $$a1246580243 001435738 020__ $$a9783030671556$$q(electronic bk.) 001435738 020__ $$a3030671550$$q(electronic bk.) 001435738 020__ $$z9783030671549 001435738 020__ $$z3030671542 001435738 0247_ $$a10.1007/978-3-030-67155-6$$2doi 001435738 035__ $$aSP(OCoLC)1245926604 001435738 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dGW5XE$$dEBLCP$$dOCLCO$$dOCLCF$$dN$T$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ 001435738 049__ $$aISEA 001435738 050_4 $$aML3800 001435738 08204 $$a781.1$$223 001435738 1001_ $$aBader, Rolf,$$d1969-$$eauthor. 001435738 24510 $$aHow music works :$$ba physical culture theory /$$cRolf Bader. 001435738 264_1 $$aCham :$$bSpringer,$$c[2021] 001435738 300__ $$a1 online resource 001435738 336__ $$atext$$btxt$$2rdacontent 001435738 337__ $$acomputer$$bc$$2rdamedia 001435738 338__ $$aonline resource$$bcr$$2rdacarrier 001435738 504__ $$aIncludes bibliographical references. 001435738 5050_ $$aSome Fundamentals of Musical Acoustics -- Some Fundamentals of Music Psychology -- Some Fundamentals of Comparative Musicology -- Impulses -- Turbulence -- Saxophone -- More wind instruments -- Friction Instruments -- Guitars and Plucked String Instruments -- The Human Voice -- Neurophysiology of Music -- Music and Consciousness -- Reconstructing Impulses -- The Ear and the Auditory Pathway -- Timbre -- Rhythm, Musical Form, and Memory -- Music, Meaning, and Emotion -- Physical Culture Theory. 001435738 506__ $$aAccess limited to authorized users. 001435738 520__ $$aHow do we understand culture and shape its future? How do we cross the bridge between culture as ideas and feelings and physical, cultural objects, all this within the endless variety and complexity of modern and traditional societies? This book proposes a Physical Culture Theory, taking culture as a self-organizing impulse pattern of electric forces. Bridging the gap to consciousness, the Physical Culture Theory proposes that consciousness content, what we think, hear, feel, or see is also just this: spatio-temporal electric fields. Music is a perfect candidate to elaborate on such a Physical Culture Theory. Music is all three, musical instrument acoustics, music psychology, and music ethnology. They emerge into living musical systems like all life is self-organization. Therefore the Physical Culture Theory knows no split between nature and nurture, hard and soft sciences, brains and musical instruments. It formulates mathematically complex systems as Physical Models rather than Artificial Intelligence. It includes ethical rules for maintaining life and finds culture and arts to be Human Rights. Enlarging these ideas and mathematical methods into all fields of culture, ecology, economy, or the like will be the task for the next decades to come. 001435738 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed April 20, 2021). 001435738 650_0 $$aMusic$$xAcoustics and physics. 001435738 650_0 $$aMusic$$xPsychological aspects. 001435738 650_0 $$aEthnomusicology. 001435738 650_0 $$aCulture. 001435738 650_6 $$aMusique$$xAcoustique et physique. 001435738 650_6 $$aMusique$$xAspect psychologique. 001435738 650_6 $$aEthnomusicologie. 001435738 655_0 $$aElectronic books. 001435738 77608 $$iPrint version:$$z3030671542$$z9783030671549$$w(OCoLC)1225976750 001435738 852__ $$bebk 001435738 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-67155-6$$zOnline Access$$91397441.1 001435738 909CO $$ooai:library.usi.edu:1435738$$pGLOBAL_SET 001435738 980__ $$aBIB 001435738 980__ $$aEBOOK 001435738 982__ $$aEbook 001435738 983__ $$aOnline 001435738 994__ $$a92$$bISE