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001435916 001__ 1435916
001435916 003__ OCoLC
001435916 005__ 20230309003959.0
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001435916 019__ $$a1255795854
001435916 020__ $$a9783030689001$$q(electronic bk.)
001435916 020__ $$a303068900X$$q(electronic bk.)
001435916 020__ $$z9783030688998
001435916 020__ $$z3030688992
001435916 0247_ $$a10.1007/978-3-030-68900-1$$2doi
001435916 035__ $$aSP(OCoLC)1246682258
001435916 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dOCLCO$$dN$T$$dUKMGB$$dOCL$$dUKAHL$$dOCLCO$$dOCLCQ$$dYDX$$dOCLCQ
001435916 043__ $$af-ua---
001435916 049__ $$aISEA
001435916 050_4 $$aHN786.A8
001435916 08204 $$a306.0962$$223
001435916 1001_ $$aTaha, Amir,$$eauthor.
001435916 24510 $$aFilm and counterculture in the 2011 Egyptian uprising /$$cAmir Taha.
001435916 264_1 $$aBasingstoke :$$bPalgrave Macmillan,$$c[2021]
001435916 300__ $$a1 online resource :$$bcolor illustrations
001435916 336__ $$atext$$btxt$$2rdacontent
001435916 337__ $$acomputer$$bc$$2rdamedia
001435916 338__ $$aonline resource$$bcr$$2rdacarrier
001435916 500__ $$aIncludes index.
001435916 5050_ $$a1. Introduction -- 2. Counterculture as War Machine: Egypt 2011 -- 3. Film and Politics in Egypt -- 4. Countercultural Films -- 5. Conclusion.-
001435916 506__ $$aAccess limited to authorized users.
001435916 520__ $$aThis book examines how film articulates countercultural flows in the context of the Egyptian Revolution. The book interrogates the gap between radical politics and radical aesthetics by analyzing counterculture as a form, drawing upon Egyptian films produced between 2010 and 2016. The work offers a definition of counterculture which liberates the term from its Western frame and establishes a theoretical concept of counterculture which is more globally redolent. The book opens a door for further research of the Arab Uprising, arguing for a new and topical model of rebellion and struggle, and sheds light on the interaction between cinema and the street as well as between cultural narratives and politics in the context of the 2011 Egyptian uprising. What is counterculture in the twenty-first century? What role does cinema play in this new notion of counterculture?
001435916 588__ $$aDescription based on print version record.
001435916 647_7 $$aArab Spring$$d(2010- )$$2fast$$0(OCoLC)fst01896290
001435916 647_7 $$aProtests$$c(Egypt :$$d2011-2013)$$2fast$$0(OCoLC)fst01907519
001435916 650_0 $$aCounterculture$$zEgypt.
001435916 650_0 $$aMotion pictures$$zEgypt$$xHistory$$y21st century.
001435916 650_0 $$aArab Spring, 2010-$$xInfluence.
001435916 650_6 $$aContre-culture$$zÉgypte.
001435916 650_6 $$aCinéma$$zÉgypte$$xHistoire$$y21e siècle.
001435916 650_6 $$aPrintemps arabe, 2010-2011$$xInfluence.
001435916 651_0 $$aEgypt$$xHistory$$yProtests, 2011-2013.
001435916 651_0 $$aEgypt$$xSocial conditions$$y21st century.
001435916 651_6 $$aÉgypte$$xHistoire$$y2011 (Révolution du 25 janvier)
001435916 651_6 $$aÉgypte$$xConditions sociales$$y21e siècle.
001435916 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628
001435916 655_0 $$aElectronic books.
001435916 77608 $$iPrint version:$$aTaha, Amir.$$tFilm and counterculture in the 2011 Egyptian uprising.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030688998$$w(OCoLC)1242789143
001435916 852__ $$bebk
001435916 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-68900-1$$zOnline Access$$91397441.1
001435916 909CO $$ooai:library.usi.edu:1435916$$pGLOBAL_SET
001435916 980__ $$aBIB
001435916 980__ $$aEBOOK
001435916 982__ $$aEbook
001435916 983__ $$aOnline
001435916 994__ $$a92$$bISE