001436092 000__ 03464cam\a2200505Ii\4500
001436092 001__ 1436092
001436092 003__ OCoLC
001436092 005__ 20230309004008.0
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001436092 020__ $$a9783030689087$$q(electronic bk.)
001436092 020__ $$a3030689085$$q(electronic bk.)
001436092 020__ $$z9783030689070$$q(print)
001436092 0247_ $$a10.1007/978-3-030-68908-7$$2doi
001436092 035__ $$aSP(OCoLC)1248918480
001436092 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dOCLCO$$dOCLCF$$dOCLCO$$dOCLCQ
001436092 049__ $$aISEA
001436092 050_4 $$aPN98.I58
001436092 08204 $$a809$$223
001436092 1001_ $$aCarter, Sarah,$$d1978-$$eauthor.
001436092 24510 $$aEarly modern intertextuality /$$cSarah Carter.
001436092 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001436092 300__ $$a1 online resource (ix, 118 pages) :$$billustrations.
001436092 336__ $$atext$$btxt$$2rdacontent
001436092 337__ $$acomputer$$bc$$2rdamedia
001436092 338__ $$aonline resource$$bcr$$2rdacarrier
001436092 4901_ $$aEarly modern literature in history,$$x2634-5919
001436092 500__ $$aIncludes index.
001436092 5050_ $$a1. Chapter One: Early modern intertextuality: post structuralism, narrative systems, and A Midsummer Night's Dream -- 2. Chapter Two: Allegory, Structuralism, and Intertextuality: Sir Francis Bacon's Wisdom of the Ancients -- 3. Chapter Three: Folklore as a narrative system: old wives, seasonal cycles, and culture wars -- 4. Chapter Four: Parody and Intertextuality: the Ovidian epyllia -- 5. Chapter Five: Intertextuality and Satire: Ben Jonson's Poetaster -- 6. Chapter Six: Chapter Six: Text, Intertext, Hypertext?
001436092 506__ $$aAccess limited to authorized users.
001436092 520__ $$aThis book is an exploration of the viability of applying the post structuralist theory of intertextuality to early modern texts. It suggests that a return to a more theorised understanding of intertextuality, as that outlined by Julia Kristeva and Roland Barthes, is more productive than an interpretation which merely identifies 'source' texts. The book analyses several key early modern texts through this lens, arguing that the period's conscious focus on and prioritisation of the creative imitation of classical and contemporary European texts makes it a particularly fertile era for intertextual reading. This analysis includes discussion of early modern creative writers' utilisation of classical mythology, allegory, folklore, parody, and satire, in works by William Shakespeare, Sir Francis Bacon, John Milton, George Peele, Thomas Lodge, Christopher Marlowe, Francis Beaumont, and Ben Jonson, and foregrounds how meaning is created and conveyed by the interplay of texts and the movement between narrative systems. This book will be of interest to undergraduate and postgraduate students of early modern literature, as well as early modern scholars.
001436092 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed April 29, 2021).
001436092 650_0 $$aIntertextuality.
001436092 650_0 $$aLiterature, Modern$$xHistory and criticism.
001436092 650_6 $$aIntertextualité.
001436092 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001436092 655_0 $$aElectronic books.
001436092 830_0 $$aEarly modern literature in history (Palgrave (Firm)),$$x2634-5919
001436092 852__ $$bebk
001436092 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-68908-7$$zOnline Access$$91397441.1
001436092 909CO $$ooai:library.usi.edu:1436092$$pGLOBAL_SET
001436092 980__ $$aBIB
001436092 980__ $$aEBOOK
001436092 982__ $$aEbook
001436092 983__ $$aOnline
001436092 994__ $$a92$$bISE