001436150 000__ 04193cam\a2200601Ia\4500 001436150 001__ 1436150 001436150 003__ OCoLC 001436150 005__ 20230309004011.0 001436150 006__ m\\\\\o\\d\\\\\\\\ 001436150 007__ cr\un\nnnunnun 001436150 008__ 210430s2021\\\\sz\\\\\\o\\\\\001\0\eng\d 001436150 019__ $$a1249472289 001436150 020__ $$a9783030629342$$q(electronic bk.) 001436150 020__ $$a3030629341$$q(electronic bk.) 001436150 020__ $$z9783030629335$$q(hardcover) 001436150 0247_ $$a10.1007/978-3-030-62934-2$$2doi 001436150 035__ $$aSP(OCoLC)1249014084 001436150 040__ $$aYDX$$beng$$cYDX$$dGW5XE$$dOCLCO$$dEBLCP$$dOCLCF$$dUKMGB$$dN$T$$dUKAHL$$dUIU$$dOCLCO$$dOCLCQ 001436150 049__ $$aISEA 001436150 050_4 $$aPN1995.9.R45$$bM66 2021 001436150 08204 $$a791.43/6$$223 001436150 1001_ $$aMooney, William H.,$$d1948-$$eauthor. 001436150 24510 $$aAdaptation and the new art film :$$bremaking the classics in the twilight of cinema /$$cWilliam H. Mooney. 001436150 260__ $$aCham :$$bPalgrave Macmillan,$$c2021. 001436150 300__ $$a1 online resource 001436150 336__ $$atext$$btxt$$2rdacontent 001436150 336__ $$astill image$$bsti$$2rdacontent 001436150 337__ $$acomputer$$bc$$2rdamedia 001436150 338__ $$aonline resource$$bcr$$2rdacarrier 001436150 4901_ $$aPalgrave studies in adaptation and visual culture,$$x2634-6303 001436150 504__ $$aIncludes bibliographical references and index. 001436150 5050_ $$aIntroduction -- Part 1: Rainer Werner Fassbinder and Douglas Sirk -- Chapter 1: The Recreation of All that Heaven Allows as Angst Essen Seele Auf (Fear Eats the Soul, 1974) -- Part 2: Derivations and Procedural Challenges -- Chapter 2. The Palimpsestuous Ghost of Rome Open City (1945) in The Lives of Others (2006) -- Chapter 3. Clouds of Sils Maria and All about Eve: Adapting a Classic Paradigm -- Chapter 4. Leos Carax: Les Amants du Pont-Neuf and City Lights -- Part 3: Nostalgic Adventures and Aesthetic Complications -- Chapter 5. Chantal Akerman in the Labyrinth of Desire: La Captive, Marcel Proust, and Vertigo -- Chapter 6. The Coen Brothers Retrospective Foreboding -- Chapter 7. Baz Luhrmanns Outsized Ambition: The Great Gatsby and Citizen Kane -- Chapter 8. Conclusion. 001436150 506__ $$aAccess limited to authorized users. 001436150 520__ $$aSince the 1990s, the expropriation of canonical works of cinema has been a fundamental dimension of art-film exploration. Rainer Werner Fassbinder provides an early model of open adaptation of film classics, followed ever more boldly by the Coen Brothers, Chantal Akerman, Alex Carax, Todd Haynes, Florian Henckel von Donnersmarck, Baz Luhrmann, and Olivier Assayas. This book devotes chapters to each of these directors to examine how their films redeploy landmark precursors such as City Lights (1931), Citizen Kane(1941), Rome Open City (1945), All About Eve (1950), and Vertigo (1958) in order to probe our psychological, philosophical, and historical situations in a postmodern societe du spectacle. In broadly diverse ways, each of these directors complicates received notions of the past and its representation, while probing the transformative media evolution and dislocation of the present, in film art and in society. 001436150 588__ $$aDescription based on print version record. 001436150 650_0 $$aFilm remakes$$xHistory and criticism. 001436150 650_0 $$aFilm adaptations$$xHistory and criticism. 001436150 650_0 $$aMotion picture industry$$xHistory. 001436150 650_6 $$aNouvelles versions (Films)$$xHistoire et critique. 001436150 650_6 $$aAdaptations cinématographiques$$xHistoire et critique. 001436150 650_6 $$aCinéma$$xIndustrie$$xHistoire. 001436150 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635 001436150 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001436150 655_0 $$aElectronic books. 001436150 77608 $$iPrint version :$$aMooney, William H., 1948-$$tAdaptation and the new art film.$$dCham, Switzerland : Palgrave Macmillan, an imprint of Springer Nature Switzerland AG, [2021]$$z9783030629335$$w(OCoLC)1242737045 001436150 77608 $$iPrint version:$$z3030629333$$z9783030629335$$w(OCoLC)1198978101 001436150 830_0 $$aPalgrave studies in adaptation and visual culture. 001436150 852__ $$bebk 001436150 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-62934-2$$zOnline Access$$91397441.1 001436150 909CO $$ooai:library.usi.edu:1436150$$pGLOBAL_SET 001436150 980__ $$aBIB 001436150 980__ $$aEBOOK 001436150 982__ $$aEbook 001436150 983__ $$aOnline 001436150 994__ $$a92$$bISE