001436152 000__ 03581cam\a2200589Ii\4500
001436152 001__ 1436152
001436152 003__ OCoLC
001436152 005__ 20230309004012.0
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001436152 019__ $$a1249474916
001436152 020__ $$a9783030730819$$q(electronic bk.)
001436152 020__ $$a3030730816$$q(electronic bk.)
001436152 020__ $$z9783030730802$$q(hardback)
001436152 0247_ $$a10.1007/978-3-030-73081-9$$2doi
001436152 035__ $$aSP(OCoLC)1249014955
001436152 040__ $$aYDX$$beng$$erda$$cYDX$$dGW5XE$$dOCLCO$$dEBLCP$$dOCLCF$$dUKMGB$$dN$T$$dUKAHL$$dUIU$$dOCLCO$$dOCLCQ
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001436152 049__ $$aISEA
001436152 050_4 $$aPN1995.9.F54
001436152 08204 $$a791.43/655$$223
001436152 1001_ $$aKuoshu, Harry H.,$$d1955-$$eauthor.
001436152 24510 $$aCraziness and carnival in neo-noir Chinese cinema /$$cHarry H. Kuoshu.
001436152 264_1 $$aCham :$$bPalgrave Macmillan,$$c2021.
001436152 300__ $$a1 online resource
001436152 336__ $$atext$$2rdacontent
001436152 336__ $$astill image$$2rdacontent
001436152 337__ $$acomputer$$2rdamedia
001436152 338__ $$aonline resource$$2rdacarrier
001436152 4901_ $$aPalgrave pivot
001436152 4901_ $$aChinese literature and culture in the world
001436152 504__ $$aIncludes bibliographical references and index.
001436152 5050_ $$aChapter 1: Introduction: Crazy Stone Phenomenon and Chinese Neo-Noir Comedies -- Chapter 2: Prelude: Rehumanization Craziness and Traditional Noir -- Chapter 3: Discourses: Crazy Stone Dropped in a Postmodern Pond -- Chapter 4: Films: Because of Crazy Stone -- Chapter 5: Dual Retrievals of Cinematic Craziness: A Coda.
001436152 506__ $$aAccess limited to authorized users.
001436152 520__ $$aCraziness and Carnival in Neo-Noir Chinese Cinema offers an in-depth discussion of the stone phenomenon in Chinese film production and cinematic discourses triggered by the extraordinary success of the 2006 low-budget film, Crazy Stone. Surveying the nuanced implications of the film noir genre, Harry Kuoshu argues that global neo noir maintains a mediascape of references, borrowings, and re-workings and explores various social and cultural issues that constitute this Chinese episode of neo noir. Combining literary explorations of carnival, postmodernism, and post-socialism, Kuoshu advocates for neo noir as a cultural phenomenon that connects filmmakers, film critics, and film audiences rather than an industrial genre. Harry H. Kuoshu is Herring Endowed Chair in Asian Studies and Film Studies at Furman University, USA, where he teaches courses on Chinese film, literature, culture and language. In addition to scholarly articles, he is the author of Lightness of Being in China (1999), Celluloid China (2002), and Metro Movies: Cinematic Urbanism in Post-Mao China (2011).
001436152 588__ $$aDescription based on print version record.
001436152 63000 $$aCrazy stone (Motion picture)
001436152 650_0 $$aFilm noir$$zChina$$xHistory and criticism.
001436152 650_6 $$aFilms noirs$$zChine$$xHistoire et critique.
001436152 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001436152 655_0 $$aElectronic books.
001436152 77608 $$iPrint version:$$aKuoshu, Harry H., 1955- author.$$tCraziness and carnival in neo-noir Chinese cinema$$z9783030730802$$w(OCoLC)1246537112
001436152 77608 $$iPrint version:$$z3030730808$$z9783030730802$$w(OCoLC)1240771680
001436152 830_0 $$aPalgrave pivot.
001436152 830_0 $$aChinese literature and culture in the world.
001436152 852__ $$bebk
001436152 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-73081-9$$zOnline Access$$91397441.1
001436152 909CO $$ooai:library.usi.edu:1436152$$pGLOBAL_SET
001436152 980__ $$aBIB
001436152 980__ $$aEBOOK
001436152 982__ $$aEbook
001436152 983__ $$aOnline
001436152 994__ $$a92$$bISE