001436565 000__ 04796cam\a2200685\i\4500 001436565 001__ 1436565 001436565 003__ OCoLC 001436565 005__ 20230309004033.0 001436565 006__ m\\\\\o\\d\\\\\\\\ 001436565 007__ cr\cn\nnnunnun 001436565 008__ 210517s2021\\\\sz\a\\\\o\\\\\001\0\eng\d 001436565 019__ $$a1250348230 001436565 020__ $$a9783030523329$$q(electronic bk.) 001436565 020__ $$a3030523322$$q(electronic bk.) 001436565 020__ $$z9783030523312 001436565 020__ $$z3030523314 001436565 0247_ $$a10.1007/978-3-030-52332-9$$2doi 001436565 035__ $$aSP(OCoLC)1250635200 001436565 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dYDX$$dOCLCO$$dOCLCF$$dUKMGB$$dN$T$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ 001436565 043__ $$ae-uk-en 001436565 049__ $$aISEA 001436565 050_4 $$aPN2596.L6 001436565 08204 $$a792.0942109031$$223 001436565 24500 $$aPublicity and the early modern stage :$$bpeople made public /$$cAllison Deutermann, Musa Gurnis, Matthew Hunter, editors. 001436565 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021] 001436565 300__ $$a1 online resource (1 volume) :$$billustrations (black and white) 001436565 336__ $$atext$$btxt$$2rdacontent 001436565 337__ $$acomputer$$bc$$2rdamedia 001436565 338__ $$aonline resource$$bcr$$2rdacarrier 001436565 4901_ $$aEarly modern cultural studies, 1500-1700 001436565 500__ $$aIncludes index. 001436565 5050_ $$a1. Introduction Allison K. Deutermann (Baruch College, CUNY) and Musa Gurnis (Washington University, St Louis) -- Part One: People Made Public -- 2. Local Characters Onstage and Off Musa Gurnis (Washington University in Saint Louis) -- 3. Bodies Public: The Roaring Girl and the Rise of Celebrity Matthew Hunter (Texas Tech University) -- 4. Celebrity No-Show: John Taylors The Great Eater of Kent Karen Raber (University of Mississippi) -- 5. Jonsons Ridicule of Shakespeare in To the Reader of The Alchemist James P. Bednarz (Long Island University) -- Part Two: Imaginary People and the Social Imaginary -- 6. Fictional Celebrities and the Repertory System Richard Preiss (University of Utah) -- 7. Robert Armin's Nest of Ninnies and the Public Punchline Adhaar Noor Desai (Bard College) -- 8. Extravagant and Wheeling Characters Allison K. Deutermann (Baruch College, CUNY) -- Part Three: Knowing Audiences -- 9. Coriolanus in the Marketplace Piers Brown (Kenyon College) -- 10. Methinks I see the brave Hieronimo! Dramatic Convention and Audience Experience in the London Commercial Theater Lauren Robertson (Columbia University) -- 11. Afterword Joe Roach (Yale University). 001436565 506__ $$aAccess limited to authorized users. 001436565 520__ $$aWhat did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebritys production. The men and women associated with playingnot just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productionsintroduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity. 001436565 588__ $$aDescription based on print version record. 001436565 650_0 $$aTheater$$zEngland$$zLondon$$xHistory$$y16th century. 001436565 650_0 $$aTheater$$zEngland$$zLondon$$xHistory$$y17th century. 001436565 650_0 $$aPublicity$$zEngland$$zLondon$$xHistory$$y16th century. 001436565 650_0 $$aPublicity$$zEngland$$zLondon$$xHistory$$y17th century. 001436565 650_0 $$aFame$$xHistory$$y16th century. 001436565 650_0 $$aFame$$xHistory$$y17th century. 001436565 650_6 $$aThéâtre$$zAngleterre$$zLondres$$xHistoire$$y16e siècle. 001436565 650_6 $$aThéâtre$$zAngleterre$$zLondres$$xHistoire$$y17e siècle. 001436565 650_6 $$aPublicité$$zAngleterre$$zLondres$$xHistoire$$y16e siècle. 001436565 650_6 $$aPublicité$$zAngleterre$$zLondres$$xHistoire$$y17e siècle. 001436565 650_6 $$aRenommée$$xHistoire$$y16e siècle. 001436565 650_6 $$aRenommée$$xHistoire$$y17e siècle. 001436565 655_7 $$aHistory.$$2fast$$0(OCoLC)fst01411628 001436565 655_0 $$aElectronic books. 001436565 7001_ $$aDeutermann, Allison K.,$$eeditor. 001436565 7001_ $$aGurnis, Musa,$$eeditor. 001436565 7001_ $$aHunter, Matthew,$$eeditor. 001436565 77608 $$iPrint version:$$tPublicity and the early modern stage.$$dBasingstoke : Palgrave Macmillan, 2021$$z9783030523312$$w(OCoLC)1230956453 001436565 830_0 $$aEarly modern cultural studies. 001436565 852__ $$bebk 001436565 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-52332-9$$zOnline Access$$91397441.1 001436565 909CO $$ooai:library.usi.edu:1436565$$pGLOBAL_SET 001436565 980__ $$aBIB 001436565 980__ $$aEBOOK 001436565 982__ $$aEbook 001436565 983__ $$aOnline 001436565 994__ $$a92$$bISE