001436568 000__ 03104cam\a2200577\i\4500
001436568 001__ 1436568
001436568 003__ OCoLC
001436568 005__ 20230309004033.0
001436568 006__ m\\\\\o\\d\\\\\\\\
001436568 007__ cr\cn\nnnunnun
001436568 008__ 210517s2021\\\\sz\a\\\\ob\\\\001\0\eng\d
001436568 019__ $$a1250346299$$a1251441415
001436568 020__ $$a9783030659042$$q(electronic bk.)
001436568 020__ $$a3030659046$$q(electronic bk.)
001436568 020__ $$z3030659038
001436568 020__ $$z9783030659035
001436568 0247_ $$a10.1007/978-3-030-65904-2$$2doi
001436568 035__ $$aSP(OCoLC)1250636446
001436568 040__ $$aGW5XE$$beng$$erda$$epn$$cGW5XE$$dEBLCP$$dYDX$$dOCLCO$$dOCLCF$$dUKMGB$$dN$T$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ
001436568 049__ $$aISEA
001436568 050_4 $$aN8825
001436568 08204 $$a701.03$$223
001436568 1001_ $$aDell'Aria, Annie.
001436568 24514 $$aThe moving image as public art :$$bsidewalk spectators and modes of enchantment /$$cAnnie Dell'Aria.
001436568 264_1 $$aCham, Switzerland :$$bPalgrave Macmillan,$$c[2021]
001436568 300__ $$a1 online resource (1 volume) :$$billustrations
001436568 336__ $$atext$$btxt$$2rdacontent
001436568 337__ $$acomputer$$bc$$2rdamedia
001436568 338__ $$aonline resource$$bcr$$2rdacarrier
001436568 4901_ $$aExperimental film and artists' moving image
001436568 504__ $$aIncludes bibliographical references and index.
001436568 5050_ $$aIntroduction -- Image Spaces: Liminality and the Pleasures of Spectacle -- Play Spaces: Screens as Social Interfaces -- Place Making: Public Art as Urban Development -- Place Illumination: the (Dis)Assembling Moving Image.
001436568 506__ $$aAccess limited to authorized users.
001436568 520__ $$aThis book maps the presence of moving images within the field of public art through encounters with passersby. It argues that far from mere distraction or spectacle, moving images can produce moments of enchantment that can renew, intensify, or challenge our everyday engagement with public space and each other. These artworks also offer frameworks for understanding how moving images operate in public spacehow they move viewers and reconfigure the site of the screen. Each chapter explores a mode of address that examines how artists and curators leverage the moving images attentional power to engage audiences, create spaces, make place, and challenge assumptions. This book also examines the difficulties and compromises that arise when using urban screens for public art.
001436568 588__ $$aDescription based on print version record.
001436568 650_0 $$aPublic art.
001436568 650_0 $$aArt and motion pictures.
001436568 650_0 $$aMotion pictures and the arts.
001436568 650_0 $$aArts audiences.
001436568 650_6 $$aArt et cinéma.
001436568 650_6 $$aCinéma et arts.
001436568 650_6 $$aArts$$xPublics.
001436568 655_0 $$aElectronic books.
001436568 77608 $$iPrint version:$$aDELL'ARIA, ANNIE.$$tMOVING IMAGE AS PUBLIC ART.$$d[Place of publication not identified] : PALGRAVE MACMILLAN, 2021$$z3030659038$$w(OCoLC)1222895818
001436568 830_0 $$aExperimental film and artists' moving image.
001436568 852__ $$bebk
001436568 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-65904-2$$zOnline Access$$91397441.1
001436568 909CO $$ooai:library.usi.edu:1436568$$pGLOBAL_SET
001436568 980__ $$aBIB
001436568 980__ $$aEBOOK
001436568 982__ $$aEbook
001436568 983__ $$aOnline
001436568 994__ $$a92$$bISE