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001436743 001__ 1436743
001436743 003__ OCoLC
001436743 005__ 20230309004111.0
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001436743 019__ $$a1252700173
001436743 020__ $$a9783030673345$$q(electronic bk.)
001436743 020__ $$a3030673340$$q(electronic bk.)
001436743 020__ $$z9783030673338
001436743 020__ $$z3030673332
001436743 0247_ $$a10.1007/978-3-030-67334-5$$2doi
001436743 035__ $$aSP(OCoLC)1252426002
001436743 040__ $$aEBLCP$$beng$$erda$$epn$$cEBLCP$$dGW5XE$$dYDX$$dOCLCO$$dOCLCF$$dUKMGB$$dUKAHL$$dN$T$$dOCLCO$$dOCLCQ
001436743 049__ $$aISEA
001436743 050_4 $$aPN1995.9.D97
001436743 08204 $$a791.43/615$$223
001436743 1001_ $$aLaine, Tarja,$$eauthor.
001436743 24510 $$aEmotional ethics of The Hunger Games /$$cTarja Lane.
001436743 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001436743 264_4 $$c©2021
001436743 300__ $$a1 online resource (203 pages) :$$billustrations
001436743 336__ $$atext$$btxt$$2rdacontent
001436743 337__ $$acomputer$$bc$$2rdamedia
001436743 338__ $$aonline resource$$bcr$$2rdacarrier
001436743 4901_ $$aPalgrave film studies and philosophy
001436743 500__ $$aIncludes index.
001436743 5050_ $$aChapter 1: Introduction -- Chapter 2: Between Fear and Hope -- Chapter 3: Anger and Generosity -- Chapter 4: The Many Forms of Love -- Chapter 5: Survivor Shame and Guilt -- Chapter 6: Dynamics of Contempt and Dignity -- Chapter 7: Conclusion.
001436743 506__ $$aAccess limited to authorized users.
001436743 520__ $$aEmotional Ethics of The Hunger Games expands the ethical turn in Film Studies by analysing emotions as a source of ethical knowledge in The Hunger Games films. It argues that emotions, incorporated in the thematic and aesthetic organization of these films, reflect a crisis in moral standards. As such they cultivate ethical attitudes towards such phenomena as totalitarianism, the culture of reality television, and the society of spectacle. The focus of the argument is on cinematic aesthetics, which expresses emotions in a way that highlights their ethical significance, running the gamut from fear through guilt and shame, to love, anger and contempt. The central claim of the book is that these emotions are symptomatic of some moral conflict, which renders The Hunger Games franchise a meaningful commentary on the affective practice of cinematic ethics. Tarja Laine is Assistant Professor in Film Studies at the University of Amsterdam, the Netherlands. Her previous books include Bodies in Pain: Emotion and the Cinema of Darren Aronofsky (2015) and Feeling Cinema: Emotional Dynamics in Film Studies (2011).
001436743 588__ $$aDescription based on print version record.
001436743 650_0 $$aHunger Games films$$xHistory and criticism.
001436743 650_0 $$aEmotions in motion pictures.
001436743 650_0 $$aEthics in motion pictures.
001436743 650_6 $$aÉmotions au cinéma.
001436743 650_6 $$aMorale au cinéma.
001436743 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001436743 655_0 $$aElectronic books.
001436743 77608 $$iPrint version:$$aLaine, Tarja.$$tEmotional Ethics of the Hunger Games.$$dCham : Springer International Publishing AG, ©2021$$z9783030673338
001436743 830_0 $$aPalgrave film studies and philosophy.
001436743 852__ $$bebk
001436743 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-67334-5$$zOnline Access$$91397441.1
001436743 909CO $$ooai:library.usi.edu:1436743$$pGLOBAL_SET
001436743 980__ $$aBIB
001436743 980__ $$aEBOOK
001436743 982__ $$aEbook
001436743 983__ $$aOnline
001436743 994__ $$a92$$bISE