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001436937 001__ 1436937
001436937 003__ OCoLC
001436937 005__ 20230309004121.0
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001436937 008__ 210601s2021\\\\si\\\\\\ob\\\\001\0\eng\d
001436937 019__ $$a1255219684
001436937 020__ $$a9789811617140$$q(electronic bk.)
001436937 020__ $$a9811617147$$q(electronic bk.)
001436937 020__ $$z9811617139
001436937 020__ $$z9789811617133
001436937 0247_ $$a10.1007/978-981-16-1714-0$$2doi
001436937 035__ $$aSP(OCoLC)1253354230
001436937 040__ $$aYDX$$beng$$erda$$epn$$cYDX$$dYDX$$dUKMGB$$dOCLCO$$dGW5XE$$dEBLCP$$dN$T$$dOCLCF$$dUKAHL$$dOCLCQ$$dOCLCO$$dOCLCQ
001436937 049__ $$aISEA
001436937 050_4 $$aB126$$b.W36 2021
001436937 08204 $$a181.11$$223
001436937 1001_ $$aWang, Keping,$$eauthor.
001436937 24510 $$aBeauty and human existence in Chinese philosophy /$$cKeping Wang.
001436937 264_1 $$aSingapore :$$bPalgrave Macmillan :$$bForeign Language Teaching and Research Publishing,$$c[2021]
001436937 300__ $$a1 online resource
001436937 336__ $$atext$$btxt$$2rdacontent
001436937 337__ $$acomputer$$bc$$2rdamedia
001436937 338__ $$aonline resource$$bcr$$2rdacarrier
001436937 504__ $$aIncludes bibliographical references and index.
001436937 5050_ $$aThe Pictographic Character and Totemism -- The Pottery and Bronze art -- Ethos of the Rites-Music Tradition -- Confucian Ideal and Equilibrium Harmony -- Critique of Mohist Utilitarianism -- Daoist Pursuit and Spontaneous Naturalness -- Beyond Poetic Sentimentalism -- Chan Buddhism and Subtle Void -- The Water Allegory and Waterscape -- The Art of Painting Landscape -- The Rise of Modern Chinese Aesthetics -- How-to-live Concern and Fourfold Engagement.
001436937 506__ $$aAccess limited to authorized users.
001436937 520__ $$aThis book considers the Chinese conception of beauty from a historical perspective with regard to its significant relation to human personality and human existence. It examines the etymological implications of the pictographic character mei, the totemic symbolism of beauty, the ferocious beauty of the bronzeware. Further on, it proceeds to look into the conceptual progression of beauty in such main schools of thought as Confucianism, Daoism and Chan Buddhism. Then, it goes on to illustrate through art and literature the leading principles of equilibriumharmony, spontaneous naturalness, subtle void and synthetic possibilities. It also offers a discussion of modern change and transcultural creation conducted with particular reference to the theory of the poetic state par excellence (yi jing shuo) and that of art as sedimentation (ji dian shuo). Keping Wang is a Senior Fellow of Chinese Academy of Social Sciences (CASS), and Emeritus Professor of CASS University. His recent publications are Harmonism as an Alternative (2019), Chinese Culture of Intelligence (2019), and Rediscovery of Sino-Hellenic Ideas (2016).
001436937 588__ $$aOnline resource; title from digital title page (viewed on June 11, 2021).
001436937 650_0 $$aPhilosophy, Chinese.
001436937 650_6 $$aPhilosophie chinoise.
001436937 655_0 $$aElectronic books.
001436937 77608 $$iPrint version:$$z9811617139$$z9789811617133$$w(OCoLC)1240773590
001436937 852__ $$bebk
001436937 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-981-16-1714-0$$zOnline Access$$91397441.1
001436937 909CO $$ooai:library.usi.edu:1436937$$pGLOBAL_SET
001436937 980__ $$aBIB
001436937 980__ $$aEBOOK
001436937 982__ $$aEbook
001436937 983__ $$aOnline
001436937 994__ $$a92$$bISE