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Table of Contents
Preface: what flies at dusk
Part 1
Film and Film: Spirituality and comparative cinema
Chapter 1
On the cinephilia of Paul Schraders First Reformed
Chapter 2
Elective Affinities of Krzysztof Kieslowskis Red: Curzio Malaparte and Naomi Kawase
Part 2
I would like to escape this story: creative betrayal.-Chapter 3
Some thoughts on adaptation
Chapter 4
Bergman and Sophocles; Polanski and Euripides
Chapter 5
Persona in the mirror of literature
Chapter 6
Ghosts of dramas past
Chapter 7
The pre-modernist moment: I would like to escape this story
Chapter 8
System and structure in The Crying of Lot 49 and How one sees
Part 3
Imagination and disaster
Chapter 9
Imagination and disaster: The Sweet Hereafter of Russell Banks and Atom Egoyan.-Chapter 10
Modernist metaphors: love and fire in Lee Chang-Dongs Burning
Chapter 11
Ruins in literature and film.
Part 1
Film and Film: Spirituality and comparative cinema
Chapter 1
On the cinephilia of Paul Schraders First Reformed
Chapter 2
Elective Affinities of Krzysztof Kieslowskis Red: Curzio Malaparte and Naomi Kawase
Part 2
I would like to escape this story: creative betrayal.-Chapter 3
Some thoughts on adaptation
Chapter 4
Bergman and Sophocles; Polanski and Euripides
Chapter 5
Persona in the mirror of literature
Chapter 6
Ghosts of dramas past
Chapter 7
The pre-modernist moment: I would like to escape this story
Chapter 8
System and structure in The Crying of Lot 49 and How one sees
Part 3
Imagination and disaster
Chapter 9
Imagination and disaster: The Sweet Hereafter of Russell Banks and Atom Egoyan.-Chapter 10
Modernist metaphors: love and fire in Lee Chang-Dongs Burning
Chapter 11
Ruins in literature and film.