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001437053 001__ 1437053
001437053 003__ OCoLC
001437053 005__ 20230309004128.0
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001437053 019__ $$a1252417882
001437053 020__ $$a9783030663148$$q(electronic bk.)
001437053 020__ $$a3030663140$$q(electronic bk.)
001437053 020__ $$z9783030663131
001437053 0247_ $$a10.1007/978-3-030-66314-8$$2doi
001437053 035__ $$aSP(OCoLC)1253564552
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001437053 049__ $$aISEA
001437053 050_4 $$aPN1992.77.S73$$bI58 2021
001437053 08204 $$a791.45/6164$$223
001437053 24500 $$aInvestigating Stranger things :$$bupside down in the world of mainstream cult entertainment /$$cTracey Mollet, Lindsey Scott, editors.
001437053 264_1 $$aCham :$$bPalgrave Macmillan,$$c[2021]
001437053 264_4 $$c©2021
001437053 300__ $$a1 online resource (xi, 249 pages)
001437053 336__ $$atext$$btxt$$2rdacontent
001437053 337__ $$acomputer$$bc$$2rdamedia
001437053 338__ $$aonline resource$$bcr$$2rdacarrier
001437053 5050_ $$a1. Stranger Things in a Familiar Land: Mainstream Cult Entertainment in the Age of Netflix -- 2.'There's More to Life Than Stupid Boys': the (Re) Gendering of Cult Teen Relationships in Stranger Things 3 -- 3.Coming of Age in the Upside Down: Renegotiating the Boundaries of Mainstream/Cult Horror in Stranger Things -- 4. Flirting with the Final Girl: Stranger Things and the Inconsistent Representation of Female Empowerment -- 5.'Something is coming ... ': the Screenwriter as Dungeon Master of Stranger Things -- 6.'What Happens to Us in the Future?': Stranger Things 3 Goes Back to the Future (1985) -- 7. Stranger Networks: Ancillary Threats, Cult Nostalgia and Technological Invasions -- 8.A Nightmare on Maple Street: Anti-Nostalgia and Family Dynamics in Stranger Things -- 9. Returning Home: Set Design and Visual Storytelling in the Cult World of Stranger Things -- 10. From 1980s Intertextualities to (Un)faithful 'Inter-Textualities': Stranger Things and Audience-Created Relations Between Media Texts -- 11. Never Ending Story: How Transmedia Narratives Generate Cults -- 12. Sponsored Things: Audiences and the Commodification of the Past in Stranger Things.
001437053 506__ $$aAccess limited to authorized users.
001437053 520__ $$aThis book explores the narrative, genre, nostalgia and fandoms of the phenomenally successful Netflix original series Stranger Things. It considers the different ways in which the show both challenges and confirms our pre-conceived notions of cult media texts by examining the series' textual features, contextual criticism and forms of audience engagement. The chapters examine all aspects of the show's presence in popular culture, engaging with debates surrounding cult horror, teen drama and contemporary anxieties in the age of Trump. The book also touches upon relatively neglected areas of scholarship in the realm of cult media, such as set design, fashion and the textual complexities of the Secret Cinema experience. Discussions within the book also serve to demonstrate how cult texts are facilitated by the new age of television, where notions of medium specificity are fundamentally transformed and streaming platforms open shows to the extensive analysis expected from (now mainstream) cult fandoms. Tracey Mollet is Lecturer in Media and Communication at the University of Leeds, UK. She is the author of Cartoons in Hard Times: The Animated Shorts of Disney and Warner Brothers in Depression and War (2017) and A Cultural History of the Disney Fairy Tale: Once Upon an American Dream (2020). She has published widely on American popular culture, including several articles and chapters on Stranger Things, intertextuality and nostalgia. Lindsey Scott is Lecturer in English at the University of Suffolk, UK, where she teaches adaptation studies and gothic horror in young adult fiction. Her work has appeared in edited collections and journals including Literature/Film Quarterly and Shakespeare Survey. She is currently writing on horror in children's literature and popular culture.
001437053 588__ $$aOnline resource; title from PDF title page (SpringerLink, viewed June 9, 2021).
001437053 63000 $$aStranger things (Television program)
001437053 650_0 $$aHorror television programs$$xHistory and criticism.
001437053 650_0 $$aFantasy television programs$$xHistory and criticism.
001437053 650_6 $$aÉmissions d'horreur télévisées$$xHistoire et critique.
001437053 650_6 $$aÉmissions fantastiques télévisées$$xHistoire et critique.
001437053 655_7 $$aCriticism, interpretation, etc.$$2fast$$0(OCoLC)fst01411635
001437053 655_0 $$aElectronic books.
001437053 7001_ $$aMollet, Tracey Louise,$$eeditor.
001437053 7001_ $$aScott, Lindsey,$$eeditor.
001437053 77608 $$iPrint version:$$z9783030663131
001437053 77608 $$iPrint version:$$z9783030663155
001437053 77608 $$iPrint version:$$z9783030663162
001437053 852__ $$bebk
001437053 85640 $$3Springer Nature$$uhttps://univsouthin.idm.oclc.org/login?url=https://link.springer.com/10.1007/978-3-030-66314-8$$zOnline Access$$91397441.1
001437053 909CO $$ooai:library.usi.edu:1437053$$pGLOBAL_SET
001437053 980__ $$aBIB
001437053 980__ $$aEBOOK
001437053 982__ $$aEbook
001437053 983__ $$aOnline
001437053 994__ $$a92$$bISE