Heightened genre and women's filmmaking in Hollywood : the rise of the cine-fille / Mary Harrod.
2021
PN1998.2 .H37 2021
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Title
Heightened genre and women's filmmaking in Hollywood : the rise of the cine-fille / Mary Harrod.
Author
ISBN
9783030709945 (electronic bk.)
3030709949 (electronic bk.)
9783030709938 (hardcover)
3030709930 (hardcover)
3030709949 (electronic bk.)
9783030709938 (hardcover)
3030709930 (hardcover)
Published
Cham, Switzerland : Palgrave Macmillan, [2021]
Language
English
Description
1 online resource (314 pages)
Item Number
10.1007/978-3-030-70994-5 doi
Call Number
PN1998.2 .H37 2021
Dewey Decimal Classification
791.43023309252
Summary
Despite the widely publicised prejudice faced by women in Hollywood, since around 1990 a significant minority of female directors have been making commercially and culturally impactful films there across the full range of genres. This book explores movies by filmmakers Amy Heckerling, Nora Ephron, Nancy Meyers, Catherine Hardwicke, Sofia Coppola, Kimberly Peirce, Kathryn Bigelow and Greta Gerwig, including many which are still critically neglected or derided, seeing them as offering a new understanding of genre filmmaking. That is, like many other contemporary films but in a striking proportion within the smaller set of mainstream movies by women, this body of work revels in a heightened genre status that allows its authors to simultaneously address intellectual cinephilic pleasures and bodily-emotive ones. Arguing through close analysis that these films demonstrate the inseparability of such strategies of engagement in contemporary genre cinema, Heightened Genre reclaims womens mainstream filmmaking for feminism through a recalibration of genre theory itself.
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Includes bibliographical references and index.
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Online resource; title from digital title page (viewed on June 09, 2021).
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Table of Contents
1. Introduction: Little Women and Cine-filles
2. Genre as Pastiche in Women's Filmmaking
3. Pastiching the Popular
4. Art Imitating Life Imitating Art
5. Conclusion: Communal Autofiction and Public Subjectivity in The Bling Ring.
2. Genre as Pastiche in Women's Filmmaking
3. Pastiching the Popular
4. Art Imitating Life Imitating Art
5. Conclusion: Communal Autofiction and Public Subjectivity in The Bling Ring.